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    July 11, 2014: Apply for a Thurber House residency!

    Thurber House has a Children’s Writer-in-Residence program for middle-grade authors each year and  guidelines and application form for the 2015 residency were just released.

    This unique residency has been in existence since 2001, offering  an opportunity for authors to have time to work on their writing in a fully furnished apartment, in the historic boyhood home of author and humorist, James Thurber. Deadline is October 31, 2014. For details, go to READ MORE

    July 10, 2014:

    Spread MG books in unexpected places 7/19
    Drop a copy of your own book or of another middle-grade favorite in a public place on July 19 -- and some lucky reader will stumble upon it.
    Ginger Lee Malacko is spearheading this Middle Grade Bookbomb (use the hashtag #mgbookbomb in social media) -- much in the spirit of Operation Teen Book Drop.  Read more ...

June 16, 2014:
Fizz, Boom, Read: Summer reading 2014

Hundreds of public libraries across the U.S. are celebrating reading this summer with  the theme Fizz, Boom, Read! Find out more about this year's collaborative summer reading program and check out suggested booklists and activities. Read more ...
 

April 30, 2014:
Join the #WeNeedDiverseBooks campaign and help change the world

The conversation on diversity in children's books has grown beyond book creators and gate keepers to readers and book buyers. What can you do? Take part in the #WeNeedDiverseBooks campaign May 1 though 3 on Tumblr and Twitter and in whatever creative ways you can help spread the word to take action. Read more ….

April 11, 2014:
Fall 2014 Children's Sneak Peek
A peek at forthcoming middle grade books (as well as picture books and YA books) in a round-up from Publisher's Weekly. First printed in the February 22 issue, but now available online. Time to add to your to-read list. Read more ...

April 9, 2014:
How many Newbery winners have you read?
You could make a traditional list of all the Newbery Medal Award-winning Children's Books you've read, but there's something so satisfying when you check them off and get a final tally on this BuzzFeed quiz. Read more ...

March 28, 2014:
Middle Grade fiction is hot at 2014 Bologna Children's Book Fair

For the second year in a row, publishers are clamoring for middle-grade, reporters Publishers Weekly. "I’ve been coming [to Bologna] for 12 to 15 years, and I’ve never had as many European publishers asking for middle-grade," said Steven Chudney of the Chudney Agency. Read more ...

February 14, 2014:
Cybils Awards announced
Ultra by David Carroll (Scholastic Canada) wins the Cybil for middle grade fiction; Lockwood & Co: The Screaming Staircase by Jonathan Stroud (Disney Hyperion) wins for Speculative Fiction. Read more.

January 27, 2014: And the Newbery Medal goes to ...
Kate DiCamillo won the Newbery Medal for "Flora & Ulysses"; Rita Williams-Garcia won the Coretta Scott King Author award for "P.S. Be Eleven." Newbery Honor awards to authors Vince Vawter, Amy Timberlake, Kevin Henkes and Holly Black. For all the exciting ALA Youth Media Award News ... READ MORE

November 12, 2013:
Vote in the GoodReads semifinal round

Readers' votes have narrowed the middle-grade semifinals down to 20 titles. Log in to your GoodReads account and vote for your favorite middle-grade (and in other categories, of course). Read more ...

November 9, 2013:
Publishers Weekly Top Children's Books of 2013

Middle-grade and young adult titles selected by the editors of Publishers Weekly as their top picks of the year. Let the season of "top ten books" begin! Read more ...

October 14, 2013:
Middle Shelf: Cool Reads for Kids debuts January 2014

Shelf Media Group, publisher of Shelf Unbound indie book review magazine, will launch a new free digital-only publication for middle-grade readers. The debut issue features interviews with such notable authors as Margaret Peterson Haddix and Chris Grabenstein as well as reviews, excerpts, and more. Middle Shelf will be published bi-monthly beginning in January 2014.
Read more ...

September 19, 2013: Writer-in-Residence program at Thurber House

Dream of time and space to focus on your own writing project? Applications now being accepted (11/1/2013 deadline) for The Thurber House Residency in Children's Literature, a month-long retreat in the furnished third-floor apartment of Thurber House in Columbus, Ohio. Read more ...

September 18, 2013: Vermont College of Fine Arts Scholarship opportunity

Barry Goldblatt Literary launches The Angela Johnson Scholarship, a talent-based grant for writers of color attending the MFA in Writing for Children & Young Adults program at VCFA. Up to two $5,000 grants will be awarded each year. Read more ....

September 16, 2013:
National Book Awards longlist for youth literature

For the first time, the NBA is presenting lists of 10 books/authors on the longlist in each category. The 2013 young adult literature list includes five middle grade novels and five YA. Read more ...

Sept. 13, 2013: Spring preview
Check out Publishers Weekly roundup of upcoming children's books to be published in spring 2014. Read more...

August 21, 2013:
Want to be a Cybils Award Judge?

Middle grade categories are fiction, speculative fiction, nonfiction. Applications due August 31! Read more ...

August 19, 2013:
S&S and BN reach a deal
Readers will soon be able to find books from Simon & Schuster at Barnes & Noble. The bookstore chain was locked in a disagreement with the publisher over how much it was willing to pay for books. Read more ...

August 6, 2013:
NPR's 100 Must-Reads for Kids
NPR's Backseat Book Club asked listeners to nominate their favorite books for readers ages 9 to 14. More than 2,000 people nominated titles, and a panel of Newbery authors brought the list to 100. Most are middle grade books. Read more ...

 
July 2, 2013:
Penguin & Random House Merger

The new company, Penguin Random House, will control more than 25 percent of the trade book market in the United States. On Monday, the newly formed company began to take shape, only hours after a middle-of-the-night announcement that the long-planned merger had been completed. Read more ...

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  • What Do Agents Do?

    Learning Differences

    There are many heroes in a book’s journey and one of them is the literary agent. Today The Mixed-Up Files is thrilled to chat with Jennifer Rofé, agent with Andrea Brown Literary Agency, Inc.

    Welcome, Jen.

     

     

    Thank you for having me! I’m a fan of the Mixed-Up Files, so it’s a delight to be here!

     

    You were an English major at UC Davis where you were a columnist and copyreader/editor for the university newspaper. After college you were a staff writer and managing editor of a wine trade magazine, then a middle school teacher prior to joining Andrea Brown Literary Agency, Inc. What made you decide to become an agent for children’s literature and how did your background prep you for the career you now have?

    When my uncle married my aunt and I found out she wrote some of my favorite cartoons, I became interested in children’s media. But during college, this transformed into an interest in journalism and publishing, and teaching also nagged at me. So, I decided to become a teacher and then segway into educational publishing. While I was teaching middle school, I met Andrea Brown, and I realized that agenting was a beautiful combination of my interests — education, writing, and business. So I asked her how I could get her job.

    A film agent I work with recently pointed out that teacher-turned-agent is not the typical path. It’s really not, and it’s given me a different perspective. It probably wouldn’t be surprising to know that I ran a rigorous reading program in my classroom, which means I became familiar with what books were attractive to middle grade readers and teens. Also, when it comes to working with authors, I approach it from an education standpoint — I want aspiring writers and authors to learn about the industry and what they should be doing in order to succeed.  And let me tell you, dealing with parents and public school bureaucracy served me well in becoming a good negotiator for my clients.


    People from outside the publishing industry don’t always understand why a children’s book author needs an agent. Can you explain why it’s so important to have representation?

    First and foremost, an agent is your advocate. Beyond the editorial guidance we can offer, we target editors for your work, negotiate your contract, and handle the slew of matters that arise during and after the publication process. We’re like a GPS system guiding you through the process and making sure you’re on the best route for your journey.

    You often say that you look for the “So-What? Factor” in manuscripts. Can you explain?

    For me, the “So-What? Factor” is that element of why a story matters, why I care about a character and his journey, what’s at stake, and what makes a story stand apart from others. The example I often use when describing the “So-What? Factor” is my personal experience with the well-received middle grade The Year the Swallows Came Early (HarperCollins 2009) by my client Kathryn Fitzmaurice. The first draft I read of this book told the story of eleven-year-old Groovy who had a large sum of money stolen from her. But when it came to this crucial plot point, I was left asking, “So what?” Beyond the disappointment of the circumstances, why did I care? There had to be a greater purpose for that money and now Groovy’s dreams are dashed; she must figure out how to recover and still make her dream possible. What that money was meant for, how Groovy copes with betrayal, and how she salvages her dream became part of the “So-What? Factor.”


    You’re passionate about middle grade books and we know that one of your favorites is Al Capone Does My Shirts by Gennifer Cheldenko, obviously a story with the “So-What? Factor.” Would you name just a few more that touched your heart?

    I do have a soft spot —  a really big soft spot — for middle grade. Of course, I always love my clients’ books, like The Year the Swallows Came Early by Kathryn Fitzmaurice, which is a lovely and poignant story (my favorite chapter is The Part of Marisol that Shines). Also, How Lamar’s Bad Prank Won a Bubba-Sized Trophy by Crystal Allen, which is so “holy crackers and cream cheese” funny that you will laugh out loud. The voice is infectious and I highly recommend it for boys and reluctant readers. Another favorite is The Schwa Was Here by Neal Shusterman, which had me laughing on every single page, until it had me crying because I felt deeply for Calvin. A current favorite is Cosmic by Frank Cottrell Boyce, which is a perfect book that all middle grade authors should study.


    Give us a teaser on upcoming middle grade titles that you represent and tell us why we should read them.

    Three forthcoming middle grades I’m excited about are A Diamond in the Desert (Viking 2012) by Kathryn Fitzmaurice, which is based on the true story of a baseball team in a Japanese internment camp that went on to win the Arizona state championship; A Thunderous Whisper by Christina Diaz Gonzalez (Knopf 2012), which is about two teens who are drafted into a spy network weeks before Hitler’s bombing of Guernica; and Neversink by Barry Wolverton (WaldenPond Press 2012), which is an epic adventure about a puffin who must save his island-home from owls. It is genius.


    One thing that may be confusing to new authors is the fact that the author/agent relationship continues long after the initial offer of representation. Can you explain how involved you are after the sale of a book and what tasks you perform on behalf of the writer?

    Let me first clarify that some agents and agencies work with authors on a book-by-book basis. At ABLA, however, we sign up clients with the intention of helping them build a career. That being said, an agent’s work goes well beyond selling a manuscript and negotiating a contract, as there’s much to handle after the initial sale of a book. There are multiple steps leading to publication, including (but not limited to) the editorial process, copy edits, cover design, subrights. After publication, there’s marketing and promotion with a publisher, royalty statements, new editions of a book, next books. Each step poses its own challenges that an agent helps manage and guide an author through.

     

    Jen, you’re one of the rare agents who is also a writer. Your picture book Piggies in the Pumpkin Patch, co-authored with illustrator, Mary Peterson, was recently released by Charlesbridge. How did you decide to collaborate? What was it like crossing to the “other side?”

    Our collaboration happened naturally over the course of many discussions – it all sort of fell into place, and we had a great time working together on Piggies! As for being on the other side, it was eye-opening. The revision process, even for a short and snappy picture book, can be grueling, and marketing is a job of its own! I can say with certainty that I am a better agent for the experience of publishing a picture book. I get it now in a way that I couldn’t have understood it before.



    What’s the best piece of advice you could give to a beginning writer?

    Don’t just read, study. Study how successful authors craft their books. I tell writers that Picasso didn’t become Picasso overnight. He first copied and studied the masters before him in order to learn his craft, and then he found his artistic voice and became the Picasso we know. Aspiring authors should do the same. Also, join SCBWI and attend their conferences.

    We know you love books, but tell us what you love about the children’s book publishing industry. What frustrates you?

    I’ll start with my frustrations because it’s nicer to end on a positive note:

    I get frustrated when publishers are wary of embracing changes in the marketplace until that change begins to creep into the mainstream. I wish there was more widespread excitement about experimentation. The view from where I stand can be amusing because I can see a moment where a genre change is on the horizon, but there’s still resistance to it. Then a handful of months down the line, I see this change creep into the mainstream and before I know it, everyone’s hungry for the same thing. But I also understand a publisher’s need to be slow-to-change.

    Now for the lovely part. I love how vibrant the industry is — from the books being published to the community. I love how generous and supportive the community is. Do you know of an organization like SCBWI that exists for adult authors? I don’t. And what about the leagues of forums, blogs, websites and Twitter chats that offer helpful information for writers and authors? It’s wonderful! Also, I love the variety of material available to children and teens. And currently, I’m not-so-secretly loving that Hollywood is looking to the kids’ market for material because frankly, kids’ books rock.


    What are you looking for right now?

    I am always looking for middle grade — literary, commercial, tender, funny, quirky, girl-oriented, boy-oriented. I love it all. I’m pickier with YA, as I have a lower threshold for teenage angst, but I’m looking for mind-blowingly smart books that experiment with format (think Jonathan Safran Foer), swoony romances, and funny. I’m also interested in YA about extreme religion. As for picture books, I’m particularly interested in author-illustrators, and I like character-driven picture books, the short and snappy, and the very beautiful.

     

    We at the Mixed-Up Files believe that kids will always read books. No matter how popular e-readers become and exciting opportunities for the future aside, there will always be those that must touch and smell the printed page. Can you speak to that?

    I agree — there’s an additional sensory experience in reading a traditionally published book. I like holding a book, flipping through and dog-earing pages, underlining favorite passages. I also like the way books look stacked on my nightstand, lined up on my shelves, left open-faced on the coffee table. And there’s satisfaction in handing over to a friend a book they must read immediately.

    That being said, the industry is changing and we would be remiss to not grow with it.


    If you could make your mark on the publishing world with one personal opinion, what would it be?

    The world is more colorful and diverse than many books portray. We need to consider our growing and changing populations when writing and publishing books for children and teens. We need to make more room for books featuring multicultural characters. This is just one reason that I adore the books Paris Pan Takes the Dare by Cynthea Liu and Lamar’s Bad Prank, Crystal Allen’s book I mentioned earlier.


    Thanks for joining us today, Jen. You’ve opened our eyes, made us laugh, and given us books to study. That, too, is what agents do.


    Diana Greenwood writes from her home in the Napa Valley. She is represented by the amazing Jen Rofé. Diana’s debut novel, Insight, Zondervan (Harper Collins), is available now. Visit her website at www.dianagreenwood.com.

     

     

     

     

     

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