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    July 11, 2014: Apply for a Thurber House residency!

    Thurber House has a Children’s Writer-in-Residence program for middle-grade authors each year and  guidelines and application form for the 2015 residency were just released.

    This unique residency has been in existence since 2001, offering  an opportunity for authors to have time to work on their writing in a fully furnished apartment, in the historic boyhood home of author and humorist, James Thurber. Deadline is October 31, 2014. For details, go to READ MORE

    July 10, 2014:

    Spread MG books in unexpected places 7/19
    Drop a copy of your own book or of another middle-grade favorite in a public place on July 19 -- and some lucky reader will stumble upon it.
    Ginger Lee Malacko is spearheading this Middle Grade Bookbomb (use the hashtag #mgbookbomb in social media) -- much in the spirit of Operation Teen Book Drop.  Read more ...

June 16, 2014:
Fizz, Boom, Read: Summer reading 2014

Hundreds of public libraries across the U.S. are celebrating reading this summer with  the theme Fizz, Boom, Read! Find out more about this year's collaborative summer reading program and check out suggested booklists and activities. Read more ...
 

April 30, 2014:
Join the #WeNeedDiverseBooks campaign and help change the world

The conversation on diversity in children's books has grown beyond book creators and gate keepers to readers and book buyers. What can you do? Take part in the #WeNeedDiverseBooks campaign May 1 though 3 on Tumblr and Twitter and in whatever creative ways you can help spread the word to take action. Read more ….

April 11, 2014:
Fall 2014 Children's Sneak Peek
A peek at forthcoming middle grade books (as well as picture books and YA books) in a round-up from Publisher's Weekly. First printed in the February 22 issue, but now available online. Time to add to your to-read list. Read more ...

April 9, 2014:
How many Newbery winners have you read?
You could make a traditional list of all the Newbery Medal Award-winning Children's Books you've read, but there's something so satisfying when you check them off and get a final tally on this BuzzFeed quiz. Read more ...

March 28, 2014:
Middle Grade fiction is hot at 2014 Bologna Children's Book Fair

For the second year in a row, publishers are clamoring for middle-grade, reporters Publishers Weekly. "I’ve been coming [to Bologna] for 12 to 15 years, and I’ve never had as many European publishers asking for middle-grade," said Steven Chudney of the Chudney Agency. Read more ...

February 14, 2014:
Cybils Awards announced
Ultra by David Carroll (Scholastic Canada) wins the Cybil for middle grade fiction; Lockwood & Co: The Screaming Staircase by Jonathan Stroud (Disney Hyperion) wins for Speculative Fiction. Read more.

January 27, 2014: And the Newbery Medal goes to ...
Kate DiCamillo won the Newbery Medal for "Flora & Ulysses"; Rita Williams-Garcia won the Coretta Scott King Author award for "P.S. Be Eleven." Newbery Honor awards to authors Vince Vawter, Amy Timberlake, Kevin Henkes and Holly Black. For all the exciting ALA Youth Media Award News ... READ MORE

November 12, 2013:
Vote in the GoodReads semifinal round

Readers' votes have narrowed the middle-grade semifinals down to 20 titles. Log in to your GoodReads account and vote for your favorite middle-grade (and in other categories, of course). Read more ...

November 9, 2013:
Publishers Weekly Top Children's Books of 2013

Middle-grade and young adult titles selected by the editors of Publishers Weekly as their top picks of the year. Let the season of "top ten books" begin! Read more ...

October 14, 2013:
Middle Shelf: Cool Reads for Kids debuts January 2014

Shelf Media Group, publisher of Shelf Unbound indie book review magazine, will launch a new free digital-only publication for middle-grade readers. The debut issue features interviews with such notable authors as Margaret Peterson Haddix and Chris Grabenstein as well as reviews, excerpts, and more. Middle Shelf will be published bi-monthly beginning in January 2014.
Read more ...

September 19, 2013: Writer-in-Residence program at Thurber House

Dream of time and space to focus on your own writing project? Applications now being accepted (11/1/2013 deadline) for The Thurber House Residency in Children's Literature, a month-long retreat in the furnished third-floor apartment of Thurber House in Columbus, Ohio. Read more ...

September 18, 2013: Vermont College of Fine Arts Scholarship opportunity

Barry Goldblatt Literary launches The Angela Johnson Scholarship, a talent-based grant for writers of color attending the MFA in Writing for Children & Young Adults program at VCFA. Up to two $5,000 grants will be awarded each year. Read more ....

September 16, 2013:
National Book Awards longlist for youth literature

For the first time, the NBA is presenting lists of 10 books/authors on the longlist in each category. The 2013 young adult literature list includes five middle grade novels and five YA. Read more ...

Sept. 13, 2013: Spring preview
Check out Publishers Weekly roundup of upcoming children's books to be published in spring 2014. Read more...

August 21, 2013:
Want to be a Cybils Award Judge?

Middle grade categories are fiction, speculative fiction, nonfiction. Applications due August 31! Read more ...

August 19, 2013:
S&S and BN reach a deal
Readers will soon be able to find books from Simon & Schuster at Barnes & Noble. The bookstore chain was locked in a disagreement with the publisher over how much it was willing to pay for books. Read more ...

August 6, 2013:
NPR's 100 Must-Reads for Kids
NPR's Backseat Book Club asked listeners to nominate their favorite books for readers ages 9 to 14. More than 2,000 people nominated titles, and a panel of Newbery authors brought the list to 100. Most are middle grade books. Read more ...

 
July 2, 2013:
Penguin & Random House Merger

The new company, Penguin Random House, will control more than 25 percent of the trade book market in the United States. On Monday, the newly formed company began to take shape, only hours after a middle-of-the-night announcement that the long-planned merger had been completed. Read more ...

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  • An interview with award-winning author Elizabeth Partridge

    Learning Differences

    Welcome to the Mixed Up Files of Middle Grade Authors, Elizabeth, and congratulations on your new novel for middle grade readers, Dogtag Summer.

    Elizabeth is the acclaimed author of more than a dozen books for young readers, including Marching to Freedom: Walk Together, Children, and Don’t You Grow Weary, as well as biographies of Dorothea Lange, Woody Guthrie, and John Lennon. Her books have received many honors, including National Book Award Finalist, Boston Globe-Horn Book Award, Los Angeles Times Book Prize, a Michael L. Printz Honor, and the Jane Addams Children’s Book Award. Elizabeth is on the faculty of the Vermont College of Fine Arts, MFA in Writing for Children & Young Adults.

    Dogtag Summer centers around Tracy–or Tuyet, during the summer before junior high, as she struggles to reconcile her harrowing memories of Vietnam with her life in California. The novel asks–where is home when you’re a child of war, caught between two countries, two identities? When is love enough to carry you through what you’ve discovered about your past? About your father’s past?

    Tracy, your protagonist, breaks stereotypes of Asian females—passive, calm. Instead, we find out that the first few days when she was with her adoptive family, she bit her father.  And then later when her best friend Stargazer first met her, she had stolen a baloney sandwich. How did you create Tracy’s personality?

    This question gets at the heart of my fiction writing process. First, I did a ton of research on the Vietnam War. I read books and interviewed Vietnamese who were refugees here after the war. They had vivid memories of their time in Vietnam during the fighting, and what it was like for them after the war. They were dislocated from their homes, often from family. Perhaps the most difficult position of all would be to be someone like Tracy – pulled away from everything you knew as a young child, with no one able to explain what was happening to you.

    I knew Tracy had to be a really tough kid to have survived everything she had already gone through, and to meet the new challenges she faced in America. She knew adults could be dangerous, so she fought and bit if she had to. She’d known real hunger, so of course she would steal food.

    After immersing myself in research, Tracy sprung into life. She started showing up in my dreams and my daydreams. Her actions and reactions came tumbling out of my fingers as I wrote. This is a hard state to get in as a writer, but isn’t it what we long for?

    You chose to make Tracy’s adoptive family, a working class, struggling family. Why did you choose to make them struggling versus a more suburban middle class setting?

    Dogtag Summer came from a conversation I overheard many years ago, in the mid-eighties. An electrician, Jim, and my husband, Tom, were doing some rewiring at Tom’s family ranch on the Northern California coast. Afterwards Tom and Jim, a Vietnam vet, sat by the fire and talked. Tom asked him what it had been like to serve in Vietnam. Stories came pouring out of Jim. How he always walked point, because he’d learned to hunt as a kid and he wasn’t going to trust his life to a city boy. What it was like to fight. What he saw, and heard. And the fear, always the fear he carried with him.

     Tracy has a hippie best friend, Stargazer. Why did you choose to make Stargazer from a hippie family?

    I liked the contrast of Tracy’s working family and Stargazer’s hippie family.  It was sheer fun to write about Stargazer and his family. No research required. I was raised in the San Francisco bohemian art world, a precursor to hippies. And probably I was a hippie myself. I just loved Stargazer’s family, and honestly, I loved exposing some of the contradictions in Stargazer’s father, Beldon. He was all about peace and love, but he could be a scary, angry person in defending his idea of peace and love.

    Your setting seems to be very important; you have the vivid setting in Vietnam by the river and then the setting in Northern California by the Pacific Ocean. How did you choose your settings?

    I love setting. It so totally informs everything – who the characters are, why they react the way they do, where the story goes. I have always traveled to where a book is set, fiction or nonfiction. It helps me to see how things relate to one another geographically. I like to smell the air, feel what the rains feel like on my skin, see how people move in their environment. In Vietnam I spent time by the rivers, at the markets, in small villages, talking to anyone who would talk to me, soaking up stories. In Da Nang I visited an orphanage.

     You used a series of vivid and emotional flashbacks that unravel the mystery of Tracy’s story. Why did you choose to structure the book this way?

    Tracy starts having flashbacks that give her increasing bits of information about her early life, which she had totally suppressed. I put them in as she was remembering them. It’s almost a feeling of vertigo, which PTSD sufferers have told me about.  These images or sounds or smells come at them in pieces, at difficult, vulnerable times.

     Tracy’s best friend Stargazer is intent on making a funereal Viking sailing vessel. Why did you choose for Stargazer to focus on this project?

    Every year on the fourth of July our extended family makes Viking funeral ships out of wood and paper-mache, with cloth sails. We fill them with flammable stuff like pine needles, bark, and twigs, and haul them down a steep cliff to the Pacific Ocean. Just as the sun is about to set, we set them on fire and launch them into the water. It’s a spectacular sight as the sun falls into the ocean and the burning boats rise and fall on the dark blue waves. I just had to write about it. Also, Stargazer is so beautifully oblivious – he’s busy making a ship that commemorates dead warriors with someone who has actually lived through war. I liked the irony.

     There are several symbols in this book. But the dog tag really resonates. What do you want middle grade readers to take-away from that symbol of the Vietnam War?

    This was a highly personal symbol for me. I had read and thought a lot about dogtags – they are so loaded. While I was working on the book, a friend and I were cleaning out an old, unused burn barrel on the property of our summer cabin, a few miles away from Tom’s family ranch. She dug her shovel into the ashes and something shiny came up on the shovel. “What’s that?” she said, and held the shovel out to me.

    It was a dogtag belonging to Jim, the Vietnam vet. I held onto it the whole time I was writing the book, often wearing it on a chain around my neck. When I finished the book, I called him (I hadn’t seen him since the fireplace talk) and told him I had his dogtag. His response: “No you don’t.” I read him his social security number, second line on the tag. Silence. “Yes,” he finally said. He came to my cabin to pick it up.  As a kid he’d learned to hunt on our property with his father, and later was friends with the guy who owned it before us. Jim had no idea how his dogtag had ended up in the burn pile.

    I was trying to figure out for myself all the complicated ways people survive, and love, and do their best.

    This story is set not too long after the Vietnam War. Why did you choose to write about this period of history?

    I thought this was a perfect way to explore how the war had affected everyone who was caught up in it, and how it kept reverberating in their lives.

    Thank you for asking me such interesting questions!

    Hillary Homzie writes books about tween girls because she has three sons and a husband and has to get girl time in somehow! To find out about Hillary and her books go to www.hillaryhomzie.com

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