• From the Mixed-Up Files... > Learning Differences > Writing Retreats Part Two: Tips for planning a great retreat
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    March 28, 2013: Big at Bologna

     

     

    This year at the Bologna Children's Book Fair, the focus has shifted to middle-grade.  “A lot of foreign publishers are cutting back on YA and are looking for middle-grade,” said agent Laura Langlie, according to Publisher's Weekly.  Lighly illustrated or stand-alone contemporary middle-grade fiction is getting the most attention.  Read more...

     

     

     

     

     

     

     

    March 10, 2013: Marching to New Titles

     

     

     

     

     

     

    Check out these titles releasing in March...

     

     

     

     

     

    March 5, 2013: Catch the BEA Buzz

     

    Titles for BEA's Editor Buzz panels have been announced.  The middle-grade titles selected are:

     

     

    A Very Nearly Honorable League of Pirates #1: Magic Marks the Spot by Caroline Carlson

     

     

    Counting By 7s by Holly Goldberg Sloan

     

     

    The Fantastic Family Whipple by Matthew Ward

     

     

    Nick and Tesla's High-Voltages Danger Lab by Bob Pflugfelder and Steve Hockensmith

     

     

    The Tie Fetch by Amy Herrick

     

    For more Buzz books in other categories, read more...

     

     

     

    February 20, 2013: Lunching at the MG Roundtable 

     

    Earlier this month, MG authors Jeanne Birdsall, Rebecca Stead, and N.D. Wilson shared insight about writing for the middle grades at an informal luncheon with librarians held in conjunction with the New York Public Library's Children's Literary Salon "Middle Grade: Surviving the Onslaught." 

     

     

    Read about their thoughts...

     

    February 10, 2013: New Books to Love

     

     

     

     

     

    Check out these new titles releasing in February...

     

     

     

    January 28, 2013: Ivan Tops List of Winners 

    The American Library Association today honored the best of the best from 2012, announcing the winners of the Newbery, Caldecott, and Printz awards, along with a host of other prestigious youth media awards, at their annual winter meeting in Seattle.

    The Newbery Medal for the most outstanding contribution to children’s literature went to The One and Only Ivan by Katherine Applegate. Honor books were: Splendors and Glooms by Laura Amy Schlitz; Bomb: The Race to Build--and Steal--the World’s Most Dangerous Weapon by Steve Sheinkin; and Three Times Lucky by Sheila Turnage. 

    The Coretta Scott King Book Award went to Hand in Hand: Ten Black Men Who Changed America written by Andrea Davis Pinkney and illustrated by Brian Pinkney.

    The Laura Ingalls Wilder Award, which honors an author for his or her long-standing contributions to children’s literature, was presented to Katherine Paterson.  

    The Pura Belpre Author Award, which honors a Latino author, went to Benjamin Alire Saenz for his novel Aristotle and Dante Discover the Secrets of the Universe, which was also named a Printz Honor book and won the Stonewall Book Award for its portrayal of the GLBT experience.

    For a complete list of winners…

     

    January 22, 2013: Biography Wins Sydney Taylor

    Louise Borden's His Name Was Raoul Wallenberg, a verse biography of the Swedish humanitarian, has won the Sydney Taylor Award in the middle-grade category. The award is given annually to books of the highest literary merit that highlight the Jewish experience. Aimee Lurie, chair of the awards committee, writes, "Louise Borden's well-researched biography will, without a doubt, inspire children to perform acts of kindness and speak out against oppression."

    For more...

     

    January 17, 2013: Erdrich Wins Second O'Dell

    Louise Erdrich is recipient of the 2013 Scott O'Dell Award for her historical novel Chickadee, the fourth book in her Birchbark House series. Roger Sutton, Horn Book editor and chair of the awards committee, says of Chickadee, "The book has humor and suspense (and disarmingly simple pencil illustrations by the author), providing a picture of 1860s Anishinabe life that is never didactic or exotic and is briskly detailed with the kind of information young readers enjoy." Erdrich also won the O'Dell Award in 2006 for The Game of Silence, the second book in the Birchbark series. 

    For more...

     

    January 15, 2013: After the Call

    Past Newbery winners Jack Gantos, Clare Vanderpool, Neil Gaiman, Rebecca Stead, and Laura Amy Schlitz talk about how winning the Newbery changed (or didn't change) their lives in this piece from Publishers Weekly...

     

    January 2, 2013: On the Big Screen

    One of our Mixed-up Files members may be headed to the movies! Jennifer Nielsen's fantasy adventure novel The False Prince is being adapted for Paramount Pictures by Bryan Cogman, story editor for HBO's Game of Thrones. For more...

     


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Writing Retreats Part Two: Tips for planning a great retreat

Learning Differences

Good morning, Writers!

After last week’s post, I received tons of private emails asking me about planning a retreat. Thanks for your interest!!  It seems clear that writers (especially far away from the East Coast) want to know how they make their own events.

So today, I’m going to give you a few tips. (at least, the important ones)

Note:  If it sounds like too much work, you can always call me! (I love planning these events and I don’t mind traveling!)

For those who are ready to dive in and organize, let’s talk!

Tip #1:

Give yourself some time.

For the last nine years, I’ve been a co-organizer of the Novel Writing Retreat at Vermont College of Fine Arts.  I am a big believer in the power of a safe, inspiring writing community, and it is one of the most humbling things I do—making this experience happen for others. But even with all this experience, we need time to plan. We need to contact faculty. We need to talk about lectures. We need to reach out to potential participants. Every year we take many months to plan our event. We think about everything that could happen. We stay flexible.

If you are not flexible, this is HARD work.

Tip #2:

Start with a mission.

What do you want to happen at your event? Do you want quiet time? Or lectures? Critique opportunities? Time to read out loud? Do you want to unlock the subconscious? Talk marketing?

When I began planning the novel writing retreat at VCFA with Cindy Faughnan, we decided to offer the retreat to advanced writers. (For us that means: published writers, writers with MFA’s, or writers who have completed a draft.)  We wanted our retreat to be a time to talk craft ONLY.  Over the years, we have added a writing track to the traditional critique track. It allowed us to include more writers who might want to come hear lectures and write. Every year we evaluate what we offer and what we could offer. We look at our area and the other events. We find a time that doesn’t compete with other events.

If you don’t know what you want to accomplish, it’s hard to market your event!

Tip #3:

Know your strengths.

As an organizer, it’s good to know what you do well.

Not good at making a schedule? Hate talking to a group? Understand what you can offer to a group and then find someone else with different skills to help you.

I like chatting.

Tip #4:

Location, location, location.

Place is important in books. It’s essential for a retreat.

If your retreat is a small group or sleepover, a big house or hotel works fine. But for large groups, you may have to rent a space. This is a big expense, and it makes a big difference. A good facility can make add comfort or personality to your event.  It’s important to keep track of your budget, knowing you will have to pass on this expense to your retreaters.

It’s okay to rough it, but then the retreat should cost less.

Most important Tip #5:

What do you want????

And I don’t mean your characters. I mean…you. As an organizer, you can think about the other classes and conferences available to you. And you can plan your event to fill a niche. That includes bringing in faculty that YOU want to learn from.

Be honest!

Don’t like getting out of the house or even your PJ’s? I also teach online classes for writers.com. And I think that community is just as potent and supportive. (There is nothing more exciting than teaching! I learn so much from all my students.) If you are willing to communicate often, an online retreat can also be a great experience. For LOTS of writers.

The final word: remember: making a retreat is a big responsibility. People spend hard earned money to attend. Writers are people with dreams and hopes. Writers often work without any feedback or recognition. When you step up to plan an event, you will have the honor to meet new people, to inspire them, to help them take the next step. This is an amazing feeling. I hope these tips inspire you to try it!

Have a happy writing day!

 

If you are looking for a great online class, registration is open for Sarah’s Manuscript Review at writers.com. for this September. It’s a WONDERFUL experience. Email me with q’s!

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