• OhMG! News

    New-Oh-MG-critter



    July 11, 2014: Apply for a Thurber House residency!

    Thurber House has a Children’s Writer-in-Residence program for middle-grade authors each year and  guidelines and application form for the 2015 residency were just released.

    This unique residency has been in existence since 2001, offering  an opportunity for authors to have time to work on their writing in a fully furnished apartment, in the historic boyhood home of author and humorist, James Thurber. Deadline is October 31, 2014. For details, go to READ MORE

    July 10, 2014:

    Spread MG books in unexpected places 7/19
    Drop a copy of your own book or of another middle-grade favorite in a public place on July 19 -- and some lucky reader will stumble upon it.
    Ginger Lee Malacko is spearheading this Middle Grade Bookbomb (use the hashtag #mgbookbomb in social media) -- much in the spirit of Operation Teen Book Drop.  Read more ...

June 16, 2014:
Fizz, Boom, Read: Summer reading 2014

Hundreds of public libraries across the U.S. are celebrating reading this summer with  the theme Fizz, Boom, Read! Find out more about this year's collaborative summer reading program and check out suggested booklists and activities. Read more ...
 

April 30, 2014:
Join the #WeNeedDiverseBooks campaign and help change the world

The conversation on diversity in children's books has grown beyond book creators and gate keepers to readers and book buyers. What can you do? Take part in the #WeNeedDiverseBooks campaign May 1 though 3 on Tumblr and Twitter and in whatever creative ways you can help spread the word to take action. Read more ….

April 11, 2014:
Fall 2014 Children's Sneak Peek
A peek at forthcoming middle grade books (as well as picture books and YA books) in a round-up from Publisher's Weekly. First printed in the February 22 issue, but now available online. Time to add to your to-read list. Read more ...

April 9, 2014:
How many Newbery winners have you read?
You could make a traditional list of all the Newbery Medal Award-winning Children's Books you've read, but there's something so satisfying when you check them off and get a final tally on this BuzzFeed quiz. Read more ...

March 28, 2014:
Middle Grade fiction is hot at 2014 Bologna Children's Book Fair

For the second year in a row, publishers are clamoring for middle-grade, reporters Publishers Weekly. "I’ve been coming [to Bologna] for 12 to 15 years, and I’ve never had as many European publishers asking for middle-grade," said Steven Chudney of the Chudney Agency. Read more ...

February 14, 2014:
Cybils Awards announced
Ultra by David Carroll (Scholastic Canada) wins the Cybil for middle grade fiction; Lockwood & Co: The Screaming Staircase by Jonathan Stroud (Disney Hyperion) wins for Speculative Fiction. Read more.

January 27, 2014: And the Newbery Medal goes to ...
Kate DiCamillo won the Newbery Medal for "Flora & Ulysses"; Rita Williams-Garcia won the Coretta Scott King Author award for "P.S. Be Eleven." Newbery Honor awards to authors Vince Vawter, Amy Timberlake, Kevin Henkes and Holly Black. For all the exciting ALA Youth Media Award News ... READ MORE

November 12, 2013:
Vote in the GoodReads semifinal round

Readers' votes have narrowed the middle-grade semifinals down to 20 titles. Log in to your GoodReads account and vote for your favorite middle-grade (and in other categories, of course). Read more ...

November 9, 2013:
Publishers Weekly Top Children's Books of 2013

Middle-grade and young adult titles selected by the editors of Publishers Weekly as their top picks of the year. Let the season of "top ten books" begin! Read more ...

October 14, 2013:
Middle Shelf: Cool Reads for Kids debuts January 2014

Shelf Media Group, publisher of Shelf Unbound indie book review magazine, will launch a new free digital-only publication for middle-grade readers. The debut issue features interviews with such notable authors as Margaret Peterson Haddix and Chris Grabenstein as well as reviews, excerpts, and more. Middle Shelf will be published bi-monthly beginning in January 2014.
Read more ...

September 19, 2013: Writer-in-Residence program at Thurber House

Dream of time and space to focus on your own writing project? Applications now being accepted (11/1/2013 deadline) for The Thurber House Residency in Children's Literature, a month-long retreat in the furnished third-floor apartment of Thurber House in Columbus, Ohio. Read more ...

September 18, 2013: Vermont College of Fine Arts Scholarship opportunity

Barry Goldblatt Literary launches The Angela Johnson Scholarship, a talent-based grant for writers of color attending the MFA in Writing for Children & Young Adults program at VCFA. Up to two $5,000 grants will be awarded each year. Read more ....

September 16, 2013:
National Book Awards longlist for youth literature

For the first time, the NBA is presenting lists of 10 books/authors on the longlist in each category. The 2013 young adult literature list includes five middle grade novels and five YA. Read more ...

Sept. 13, 2013: Spring preview
Check out Publishers Weekly roundup of upcoming children's books to be published in spring 2014. Read more...

August 21, 2013:
Want to be a Cybils Award Judge?

Middle grade categories are fiction, speculative fiction, nonfiction. Applications due August 31! Read more ...

August 19, 2013:
S&S and BN reach a deal
Readers will soon be able to find books from Simon & Schuster at Barnes & Noble. The bookstore chain was locked in a disagreement with the publisher over how much it was willing to pay for books. Read more ...

August 6, 2013:
NPR's 100 Must-Reads for Kids
NPR's Backseat Book Club asked listeners to nominate their favorite books for readers ages 9 to 14. More than 2,000 people nominated titles, and a panel of Newbery authors brought the list to 100. Most are middle grade books. Read more ...

 
July 2, 2013:
Penguin & Random House Merger

The new company, Penguin Random House, will control more than 25 percent of the trade book market in the United States. On Monday, the newly formed company began to take shape, only hours after a middle-of-the-night announcement that the long-planned merger had been completed. Read more ...

  • Subscribe!

    Get email updates:

    Enter your email address:

    Delivered by FeedBurner

  • Character Lessons from Doctor Who

    Writing MG Books

    If I say watching a television show is a study in writing, does doing so then qualify as “work?” (More importantly, can I write off Netflix when I do my taxes?)

    I watch Doctor Who for the awesome characters, creative sci-fantasy elements, and off-the-wall stories, all of which have taught me a ton about writing (and often leave me shaking my fist and screaming “MOFFAT!”). But after every episode, I feel more inspired as a writer – and more inspired to mess with my characters. If you’re a Time Lord fan, or a would be-fan, beware: ahead there be spoilers.

    1. Give minor characters so much history and personality and life that they could carry their own series.

    Most episodes of Doctor Who introduce new characters who are only present for that episode. They could easily be two-dimensional, but they rarely are. As an example, take the series four episode, “Midnight,” which is more psychological horror than your normal whimsical Doctor stuff. Not a single character on the shuttle (aside from the Doctor) would ever appear in another episode, but they were as real and developed as any long-time companion…making their actions and fates near the end of the episode all the more horrifying.

    This isn’t to say that every single name you drop in your novel should have a five-page character sheet. In fact, that can be detrimental – “character soup” is something I often have to deal with in edits. But your story will be all the more rich and real if each character has problems and passions that drive their actions, no matter how short their page time.

    2. Give everyone a chance to be a hero.

    Because good heros (and good characters) are flawed, and they can’t do it all. The Doctor is all kinds of flawed (and if you don’t believe me, you clearly haven’t watched The Waters of Mars). But one of the things I love most about Doctor Who is that so often it’s those minor, one-episode characters I mentioned a few paragraphs up who really save the day, often by some sort of personal sacrifice.

    This is particularly valuable in middle grade stories, where the main character is likely very internally focused. Think about Hermione accusing Harry of always trying to be the hero. Sometimes the load must be shared – a great lesson for middle grade characters (and readers). The main character can’t do it alone, and shouldn’t have to.

    3. Don’t just be cruel to your characters – be creatively cruel.

    Death? So not the worst thing that can happen. Take a look at some of the companions’ fates.

    When I think of Captain Jack and the Face of Bo, I want to weep. (Even though Jack’s fate to live a bajillion years and die as a giant head might not be canon, I still just…ack.) Then there’s Rose and her not-quite-Doctor – a strange end to a character arc that managed to be both satisfying and devastating. Martha’s whole year just made me feel bad for her (although admittedly irritated at times). And Amy and Rory – I’m glad they had each other, but if you didn’t tear up at “raggedy man, good-bye” then you have no soul.

    But let’s look more closely at Donna, because she’s my favorite companion. She doesn’t die. She doesn’t lose any family members or friends (that she knows of). She’s not physically or mentally harmed in any way. She is, in fact, the exact same person she was before she met the Doctor – a temp from Chiswick in a wedding dress. We last see her happily leaving a church with her new husband and a winning lottery ticket tucked in her cleavage.

    Sounds like a happy ending, yeah? But in context it’s a more brutally heartbreaking finale than anything I could’ve possibly imagined for her. For her, Donna. That’s the key – it was an ending that wouldn’t have had the same emotional impact with any other character. It could only work with Donna, with her cutting humor masking that enormous inferiority complex, with her mother who constantly made her feel worthless, with her gradual development into becoming a woman who would quite literally save the world. Maybe it’s not a fate worse than death, but for the Doctor (and the viewers) it was gut-wrenching. And it would have been for Donna, too, if she could only remember.

    What are the stakes for your characters? The threat of death is certainly motivating, but try being more creatively cruel. Think of Artemis Fowl in The Time Paradox, forced to deal with the consequences of his own regrettable actions by literally confronting his evil 10-year old self. Pinpoint what really makes your characters afraid and vulnerable, and make them face it head-on.

    Any other Whovian writers out there? What lessons have you learned from the Doctor? I’d love to hear them!

    Michelle is the author of the upcoming I HEART BAND series (Penguin, Fall 2013), about the thrills and spills, practices and performances, crushes and crises of middle school band geeks. She’s a screenwriter for a Manhattan-based TV/film production company and lives in Queens with her husband (and band mate) and their chocolate lab (who is more of a vocalist). She blogs, tweets, and tumblrs.

    5 Comments

    5 Comments

    1. Stephenie Hovland  •  Nov 1, 2012 @7:20 am

      I love that you posted on Dr. Who today. I will have to get my Tardis out when I need my next motivational jolt. The intricate plots that are woven throughout most episodes amazes me. Like a very complicated (and sometimes tangled) Celtic knot, we don’t even see some of the strands until later. It amazes me. I can’t imagine keeping all that organized! My favorite episode is with Van Gogh. Makes me cry every time. It even spurred me to study him last year. I adore almost every episode of Dr. Who (except the one I completely loathe – Love & Monsters.

    2. Michelle Schusterman  •  Nov 1, 2012 @9:25 am

      Thanks, Stephenie! I love the Van Gogh episode too, and all of the ones that work in a heavy amount of real history, like The Fires of Pompeii and The Unicorn and the Wasp. (Love & Monsters was one of my least favorites, too.) Plotting Lessons from Doctor Who would be a whole other post! It’s really phenomenal how they tie things together, like you said.

    3. Beverly Patt  •  Nov 1, 2012 @8:49 pm

      I’m sorry to say I’ve never watched an episode of Dr. Who but my youngest son was a big fan when we lived in London. That said, I do want to agree with your ‘cruel TO THEM’ point – and that not every ‘devastating’ thing has to be a car chase or a life-or-death scenario. Many times these more subtle ‘cruelties’ are more relate-able and therefore more powerful.
      Thanks for this reminder!

    4. Julie H. Mata  •  Nov 2, 2012 @9:53 am

      Your post has definitely made me want to watch Dr. Who. I’m going to go to the library and see if I can find it. I’ve often heard about it, and I think I saw a couple episodes long ago, but now I must find out just who is Who!

    5. Michelle Schusterman  •  Nov 2, 2012 @10:11 am

      Beverley and Julie — come over to the dark side! ;)