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    March 28, 2013: Big at Bologna

     

     

    This year at the Bologna Children's Book Fair, the focus has shifted to middle-grade.  “A lot of foreign publishers are cutting back on YA and are looking for middle-grade,” said agent Laura Langlie, according to Publisher's Weekly.  Lighly illustrated or stand-alone contemporary middle-grade fiction is getting the most attention.  Read more...

     

     

     

     

     

     

     

    March 10, 2013: Marching to New Titles

     

     

     

     

     

     

    Check out these titles releasing in March...

     

     

     

     

     

    March 5, 2013: Catch the BEA Buzz

     

    Titles for BEA's Editor Buzz panels have been announced.  The middle-grade titles selected are:

     

     

    A Very Nearly Honorable League of Pirates #1: Magic Marks the Spot by Caroline Carlson

     

     

    Counting By 7s by Holly Goldberg Sloan

     

     

    The Fantastic Family Whipple by Matthew Ward

     

     

    Nick and Tesla's High-Voltages Danger Lab by Bob Pflugfelder and Steve Hockensmith

     

     

    The Tie Fetch by Amy Herrick

     

    For more Buzz books in other categories, read more...

     

     

     

    February 20, 2013: Lunching at the MG Roundtable 

     

    Earlier this month, MG authors Jeanne Birdsall, Rebecca Stead, and N.D. Wilson shared insight about writing for the middle grades at an informal luncheon with librarians held in conjunction with the New York Public Library's Children's Literary Salon "Middle Grade: Surviving the Onslaught." 

     

     

    Read about their thoughts...

     

    February 10, 2013: New Books to Love

     

     

     

     

     

    Check out these new titles releasing in February...

     

     

     

    January 28, 2013: Ivan Tops List of Winners 

    The American Library Association today honored the best of the best from 2012, announcing the winners of the Newbery, Caldecott, and Printz awards, along with a host of other prestigious youth media awards, at their annual winter meeting in Seattle.

    The Newbery Medal for the most outstanding contribution to children’s literature went to The One and Only Ivan by Katherine Applegate. Honor books were: Splendors and Glooms by Laura Amy Schlitz; Bomb: The Race to Build--and Steal--the World’s Most Dangerous Weapon by Steve Sheinkin; and Three Times Lucky by Sheila Turnage. 

    The Coretta Scott King Book Award went to Hand in Hand: Ten Black Men Who Changed America written by Andrea Davis Pinkney and illustrated by Brian Pinkney.

    The Laura Ingalls Wilder Award, which honors an author for his or her long-standing contributions to children’s literature, was presented to Katherine Paterson.  

    The Pura Belpre Author Award, which honors a Latino author, went to Benjamin Alire Saenz for his novel Aristotle and Dante Discover the Secrets of the Universe, which was also named a Printz Honor book and won the Stonewall Book Award for its portrayal of the GLBT experience.

    For a complete list of winners…

     

    January 22, 2013: Biography Wins Sydney Taylor

    Louise Borden's His Name Was Raoul Wallenberg, a verse biography of the Swedish humanitarian, has won the Sydney Taylor Award in the middle-grade category. The award is given annually to books of the highest literary merit that highlight the Jewish experience. Aimee Lurie, chair of the awards committee, writes, "Louise Borden's well-researched biography will, without a doubt, inspire children to perform acts of kindness and speak out against oppression."

    For more...

     

    January 17, 2013: Erdrich Wins Second O'Dell

    Louise Erdrich is recipient of the 2013 Scott O'Dell Award for her historical novel Chickadee, the fourth book in her Birchbark House series. Roger Sutton, Horn Book editor and chair of the awards committee, says of Chickadee, "The book has humor and suspense (and disarmingly simple pencil illustrations by the author), providing a picture of 1860s Anishinabe life that is never didactic or exotic and is briskly detailed with the kind of information young readers enjoy." Erdrich also won the O'Dell Award in 2006 for The Game of Silence, the second book in the Birchbark series. 

    For more...

     

    January 15, 2013: After the Call

    Past Newbery winners Jack Gantos, Clare Vanderpool, Neil Gaiman, Rebecca Stead, and Laura Amy Schlitz talk about how winning the Newbery changed (or didn't change) their lives in this piece from Publishers Weekly...

     

    January 2, 2013: On the Big Screen

    One of our Mixed-up Files members may be headed to the movies! Jennifer Nielsen's fantasy adventure novel The False Prince is being adapted for Paramount Pictures by Bryan Cogman, story editor for HBO's Game of Thrones. For more...

     


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Don’t Let Summer Reading Kill You!

Activities, Inspiration

The end of the school year is right around the corner!

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For parents that’s no more carpools, no more packed lunches, no more homework battles! Right?

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Before you get ready sink into that hammock on the beach… what about summer reading?

Fun and relaxation are important. All work and no play really does make Jack a dull boy. But nobody wants to encourage the “summer slump”. Studies indicate that children lose two months of math and reading achievement when their learning stalls over the summer. Elementary school librarian and children’s lit expert Louise Simone says “Of course, keeping students engaged and using some part of their brains over the summer is a good thing. Reading does that.”

Some kids look forward to plenty of free time reading in the summer. But for others summer reading is like a death curse… hence John Scieszka and Lane Smith’s very funny middle grade novel-

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How can you minimize summer reading bloodshed? Consider these ideas-

1. Keep it real. Several years ago New York Times columnist Nicholas Kristof proposed a summer reading list that’s a perfect template for how to make your own life miserable and squelch every last ounce of summer reading enthusiasm in your skeptical reader. Sprinkled among Kristof’s ridiculously predictable Harry Potter-ish recommendations were some good old classics like Little Lord Fauntelroy. Really?? Really???  Was he kidding? No. Then he proposed Lad, A Dog, written by Albert Payson Terhune almost one hundred years ago.

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Kristof praised the book, saying “this is a book so full of SAT words it could put Stanley Kaplan out of business.”

Indeed! Here’s a paragraph from the first page of Lad-

“The Master had fished the month-old puppy out of the cavern of his pocket and set her down, asprawl and shivering and squealing, on the veranda floor. Lad had walked cautiously across the veranda, sniffed inquiry at the blinking pigmy who gallantly essayed to growl defiance up at the huge welcomer—and from that first moment he had taken her under his protection.”

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I’m a big dog book lover (not to mention an admirer of high SAT scores). I’m TOTALLY in favor of smart books for kids! But forcing this book on your children guarantees growls of defiance.

Books you remembered from your own childhood? Or your great grandparent’s childhood? Skip them this summer. During the sizzling summer months kids are much more likely to read… and love… modern middle-grade novels, written with today’s pacing and relevant vocabulary. Check out Bobby Pyron’s A Dog’s Way Home

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or any of the other fantastic modern middle-grade novels we’ve compiled in reading lists here at From The Mixed-Up Files.

2. Participate!  Some schools have mandatory summer reading lists. Nearly every local library has a summer reading program. Whether you and your child are selecting summer reading books on your own or participating in an established (or required) program fun summer reading should involve parents as much as kids.

Consider reading along with your child. Discuss the book at meal time. Read aloud together, alternating pages. How about a neighborhood summer reading book club? For most people, and that includes kids, going it alone isn’t a lot of fun. Turning summer reading into family reading will pay dividends in ways you’ve never imagined. Read more about parents’ role in creating a rich summer reading experience in this thoughtful article written for the National Summer Learning Association by Harvard professor James Kim.

3. Take advantage of resources-  There’s so much available on the internet these days. Scholastic has wonderful summer reading resources. And check out WETA/PBS’s Reading Rocket’s summer reading tips and activities. Even ordinary moms have posted tried and true summer reading strategies on the net.  When in doubt go with experts like teachers at your own school, the educators at Scholastic, or your neighborhood librarians, and most of all your own good sense. Tune out the dictates of  random newspaper guys who thinks kids want to read Little Lord Fauntelroy for fun… unless your child is that one in a thousand who really gets into Victorian didacticism.

Which is the point of summer reading, actually. Perfect summer reading is tailored to the child. Explore new genres. Delve into great series. Stretch skills but sometimes fall back on old favorites. Let your child pick some books on his or her own. Select others based on your child’s own taste and ability. Summer reading shouldn’t be an unpleasant job for your child–or for you. Have fun reading books! Those lazy hazy days of summer will be a lot less crazy when you and your children settle down together with a stack of great books.

What will your middle-graders read this summer?

Nobody ever had to force Tami Lewis Brown to read in the summer… but she never had to read Lad, A Dog!

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The Cubcake Club – Sheryl and Carrie, Mother-Daughter Co-Authors!

Activities, Authors, For Kids, Interviews, Promotion, Women and girls

As an author who writes books with her daughter, I was thrilled to be able to interview Sheryl and Carrie Berk, mother-daughter co-authors of the yummy The Cupcake Club series!

 

NEW Berk Author Photo credit Heidi Green Photography

New York Times bestselling co-author of Soul Surfer, SHERYL BERK is the founding editor in chief of Life & Style Weekly as well as a contributor to InStyle, Martha Stewart, and other publications. Her daughter, CARRIE, a cupcake connoisseur, cooked up the idea for The Cupcake Club series in second grade. Carrie maintains her own cupcake blog, featuring reviews, photos and recipes of her culinary adventures, called Carrie’s Cupcake Critiques: http://carriescupcakecritique.shutterfly.com/

 

 

Me:  Hi ladies!  Thanks for joining us here at the Mixed-Up Files!  We’re excited to have you.  As a mother-daughter author-duo myself,  I know it can be great fun working together.  I’m dying to know what your experience is like writing as a team.

Carrie: FUN! We love dreaming up the crazy cupcake adventures for the Peace, Love and Cupcakes girls!

Sheryl: It’s a great way for us to bond. It’s wonderful to have my daughter truly understand what my job is. Before when I was on deadlines, she would get frustrated. Now she gets it. She now says when she grows up she wants to be a writer like her mom which makes me very proud.

Carrie: I want to be a New York Times Bestselling author, too.

 

Me:  My daughter is learning what it’s like to be on deadline, too!  Well, we’re learning it together, so that’s been fun and challenging.  When working on new material, we love outlining, coming up with interesting ideas and creating loveable, relatable characters.  What do you consider the best part of writing together?

Sheryl: Probably cooking up the story arcs for each book. We love to dream where we can take the characters next.

Carrie: So I love Las Vegas, and we had to put that into Book 4: Icing on the Cake. Jenna’s mom is getting married in Vegas!

Sheryl: We also love coming up with the cupcakes the girls will bake in the book.

Carrie: I watch Cupcake Wars for ideas. They put crazy things in their cupcakes: like pickles, Brussel sprouts and sardines.

Sheryl: Writing together also helps me understand what’s important to her and kids her age. She’s suggested topics ranging from bullying to dyslexia to rescue dog organizations. I love to hear what’s on her mind.

Carrie: I love when I get to edit what my mom writes. I change a lot of the things the girls say in the book because I want it to sound real. I’m 10, so I know how 10 year olds talk.

 

Me: Ha! My daughter does the same thing!  She’s “keeping it real” because I talk like a mom.  What would you say was the inspiration for the Cupcake Club series?

Carrie: Well, I couldn’t find any books about girls my age and cupcakes and I wanted to read one. I was in second grade, and I was having a sleepover party with my BFF, and I just sat down and started writing one. I showed it to my mom and she showed it to her literary agent and everyone loved it. But the idea really just came from me loving cupcakes and wanting other kids to share in that.

Sheryl: Many of the things that happen in the book are inspired by Carrie’s real-life experiences and what her friends have experienced. For example, she’s a peer mediator in her school and she gets to mediate kids who are feeling bullied. She wanted to write this into the first book because she felt it was something kids wanted to understand better.

Carrie: I also named the characters after people I know, like Principal Fontina. My principal’s name is actually Ms. Fontana. I also had the girls baking to raise money for an Eco Center which is just like the one in my school, and performing a Shakespeare play–which we just did this year in Fifth Grade. I played Lady Macbeth.

Sheryl: Carrie started her cupcake blog (www.carriescupcakecritique.shutterfly.com) when she was about 7. I think reviewing cupcakes really inspired her. And she always loved to bake with her friends–an unofficial cupcake club!

 

Me:  It really is amazing how kids are inspired to write because of what they want to read.   On a side note….we’re fans of sweets in our house.  What’s your favorite cupcake flavor?

Sheryl: For me, it’s always anything with banana.

Carrie: Red Velvet. I always taste red velvet at every cupcake store I critique because I can tell how good the baker is by how good the Red Velvet is. The frosting has to be cream cheesy and not too whippy. The cake has to be moist and I want to be able to taste the chocolate.

Me:  You’re a smart girl.  I have to be able to taste the chocolate, too.  Preferrably by licking the batter right off the spoon!  Thanks for joining us here on the Mixed-Up Files today!  Good luck with your fun series!

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Meet Kylie Carson.

She’s a fourth grader with a big problem. How will she make friends at her new school? Should she tell her classmates she loves monster movies? Forget it. Play the part of a turnip in the school play? Disaster! Then Kylie comes up with a delicious idea: What if she starts a cupcake club? Soon Kylie’s club is spinning out tasty treats with the help of her fellow bakers and new friends.

But when Meredith tries to sabotage the girls’ big cupcake party, will it be the end of the Cupcake Club?

 

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Meet Sadie.

When she’s not mixing it up on the basketball court, she’s mixing the perfect batter with her friends in the cupcake club. Sadie’s definitely no stranger to competition, but the oven mitts are off when the club is chosen to appear on Battle of the Bakers, the ultimate cupcake competition on TV.

But the real battle happens off camera when the club’s baking business starts losing money.

With the clock ticking and the cameras rolling, will the club and their cupcakes rise to the occasion?

 

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Meet Lexi Poole.

To Lexi, a new school year means back to baking with her BFFs in the cupcake club. But the club president, Kylie, is mixing things up by inviting new members. And Lexi is in for a no-so-sweet surprise when she is cast in the school’s production of Romeo and Juliet. If only she could be as confident onstage as she is in the kitchen. The icing on the cake: her secret crush is playing Romeo.

Sounds like a recipe for trouble.

Can the girls’ friendship stand the heat, or will the cupcake club go up in smoke?

 

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Amie Borst and her middle-grade daughter, Bethanie, write fairy tales with a twist.  Their first book in the Scarily Ever Laughter series, Cinderskella,  debuts October 2013!

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An interview with independent editor Harold Underdown – and a giveaway!

Activities, Authors, Book Lists, Giveaways, Industry News, Inspiration, Interviews, Writing MG Books

  So just what is happening with the publishing industry these days?

Amazon seems to be growing in influence. The major trade publishers are discussing a merger. Some small presses are closing while others are opening. Editors who’ve worked for years developing wonderful children’s books are leaving or being downsized.

What does this mean for the average writer? Is this good or bad?

A little bit of both. While the smaller pool of editors may mean that it lowers the odds of being published, some of these editors are actually making themselves more accessible to the aspiring author.  Talented editors, with many years of experience are bravely setting out on their own by re-making themselves as independent editors. Interestingly enough, they offer their services to the very publishing houses they left.  But the best part is that they offer help to the individual writer looking to polish a manuscript before submission. Lucky us!

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One such independent editor is Harold Underdown. Harold has over 20 years experience as a children’s editor and has worked with companies like Macmillan, Orchard Books, Charlesbridge and ipicturebooks. He has an amazing website filled with TONS of great information found here:  http://www.underdown.org/.

He attends conferences, holds workshops both with editor Eileen Robinson, on his own, and at the Highlights Foundation. But the best thing is that Harold also works with individual writers to craft fantastic submission-ready manuscripts.

I am lucky enough to have worked with Harold in the past and I asked him if he’d be willing to share some information about what he does with the MUF readers.

Harold, thanks for joining us.

        Why did you decide to become an independent editor?

I decided to become an independent editor because the alternative–moving into another profession–was unacceptable to me. I had to make this choice because in 2001 a company that I was working for closed down, having run out of its initial funding. I looked around, did not see any good prospects in-house, and embarked on this path. I love being a children’s book editor and am glad that I have been able to stay in the field in this way.

           What does an independent editor do?

An independent editor does just about everything an in-house editor does, with the arguable exception of acquisitions, and with the happy exception of not attending a lot of meetings. We edit manuscripts, we coach clients through multiple rounds of revision, we consult on the phone about where a manuscript “fits” in the market, we help pull together the people needed for a writer to self-publish successfully, and we read a lot of books and manuscripts and talk about them. We generally have both publishers and writers as clients.

Many independent editors also give workshops and presentations at conferences. I do this at SCBWI conferences and at the Highlights Foundation in Honesdale, PA, or through Kids Book Revisions, a working partnership with fellow independent editor Eileen Robinson. I keep up a schedule of these at http://www.underdown.org/conferences.htm

         How do you choose clients to work with?

I usually am contacted by potential clients by email, and I spend some time finding out what they are looking for from me, and reading some of their manuscript (or the whole thing, if it’s a picture book). I then offer to work with the people who I feel I can help, and who I feel I can provide with the kind of help that they won’t easily find elsewhere for less. So I do turn clients away. If someone has a manuscript that’s outside my experience, such as something for the Christian market, I turn them down.

If someone has a manuscript that only needs the kind of feedback that they could get from an inexpensive critique at a local SCBWI conference, I turn them down. My services aren’t cheap, and I like to provide good value for money. I also turn people away if they seem like they would be difficult to work with, though that doesn’t happen often. More typically, it’s for one of my two main reasons, and I’d say I turn away at least as many projects as I take on.

What are the advantages of working with an independent editor?

I don’t know if I’m the right person to ask–you should ask some of my clients! But from what people tell me, there is  one reason why many of them work with an independent editor. They have gone as far as they can with the avenues that they have for getting feedback on a manuscript, whether that’s their critique group, a writer friend, conference critiques, or all of those, and they know that they haven’t yet reached the place where they want to be. And so they reach out for help from a professional editor. Their manuscripts are in many different stages–ranging from early drafts with significant flaws to oft-revised drafts that need a final polish. What they have in common, though, is that they need or want to get help to move it up another level.

What do you think of mid-grade novels?

 I love middle-grade novels, and read them for pleasure as well as for work. They are one of the oldest of the many forms in which we write for children, with their roots in the 19th century–books such as Treasure Island, Little Women, Alice in Wonderland, and Tom Sawyer that are still read today, and many others that are not. Today there is a tremendous variety of genre and point of view and style to be found in middle-grade novels.

What do you think defines a great mid-grade novel? Can you give some examples?

A great middle-grade novel is one that both tells a wonderful story, drawing upon all  of the tools a writer has to craft plot, character, and setting, and that contains a theme that directly and gracefully speaks to the concerns and needs of its audience. Some examples: Mark Twain’s Tom Sawyer, E.B. White’s Charlotte’s Web, Virginia Hamilton’s M.C. Higgins the Great, Lois Lowry’s The Giver, Tamora Pierce’s Wild Magic, Adam Rex’s The True Meaning of Smekday, Linda Sue Park’s A Single Shard, David Almond’s Skellig — I could go on and on. There are so many!

How are mid-grade novels different from YA novels?

That is a frequently discussed question, and due to the differences often being less than clear-cut, I often feel like falling back on the age of the protagonist! But there are some other differences, all of which have exceptions. YA novels tend to be told in first person, or an under-the-skin third person, while middle-grade novels are more likely to have objective narrators. Both focus on themes relevant to their audiences, which is why middle-grade novels have so many missing or dead parents, as children around that age are starting to become more independent and wonder if they could cope on their own. Teens, on the other hand, generally ARE more independent and are focused on their peers. Not that middle-grade children aren’t, of course, but in a different way–and this is where the differences get murkier, as they are often differences of degree.

To get at the differences, I am going to suggest an exercise for your readers. Take a novel that everyone would agree is YA–let’s say Paper Towns, by John Green–and take one that everyone would agree is middle-grade–let’s say Surviving the Applewhites by Stephanie Tolan. Read them both  (they are both well worth reading anyway). And then post your observations in the Comments below….

What trends do you see in publishing?

I see the same trends that everyone does. I see digital publishing changing the way books are sold–and the way books are discovered. I see self-publishing becoming a viable option, though I don’t see it bringing about the end of publishing companies. Those are probably the two areas where the most change has happened recently, and will continue to happen. Where’s this all going? I don’t know, but I’m open to seeing what happens.

I don’t pay much attention to trends in types of books, by the way, such as whether or not dystopias are still hot. It’s fun to speculate and trade that kind of gossip–and I do too when I’m chatting with friends–but I think writers will do best by writing the stories they are driven to write, not the ones they think will sell. Trends come and go, but when you write what you must write, you do your best work, and that is what sells.

One way that I keep up is to use Twitter as a news conduit, though I do use it for other things. I follow a very limited number of people–mostly news sources, along with a few others I know. And those news sources, from Publishers Weekly to individuals such as Jane Friedman and Mike Shatzkin, help me follow what’s going on in publishing generally and in our world in particular without spending a lot of time.

Anything you’d like to add?

Yes: read every day. Read books that interest you, current books, books like the manuscript you are working on or not like the manuscript you are working on. Books nourish the soul. That’s true for everyone, but particularly for those of us creating them.
Thanks!

And a huge thanks to you Harold for giving us all this excellent information. Again, you can learn more about Harold and his services and see all of his fantastic writing information at his website:  http://www.underdown.org/

As an additional help for the aspiring writers out there, we are offering a giveaway of Harold’s much-acclaimed book, The Complete Idiot’s Guide to Publishing Children’s Books, 3rd Edition

 

To enter to win an e-book version of this book, please comment below. And yes, doing the exercise that Harold suggested above and commenting below does gain you an entry into the giveaway!
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Jennifer Swanson’s greatest wish is for someone to invent a transporter (like in Star Trek) so that she can send her kids to their events with the flip of a switch so she will have more time to write!

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