• From the Mixed-Up Files... > For Writers > The Craft
  • OhMG News!


    March 28, 2013: Big at Bologna

     

     

    This year at the Bologna Children's Book Fair, the focus has shifted to middle-grade.  “A lot of foreign publishers are cutting back on YA and are looking for middle-grade,” said agent Laura Langlie, according to Publisher's Weekly.  Lighly illustrated or stand-alone contemporary middle-grade fiction is getting the most attention.  Read more...

     

     

     

     

     

     

     

    March 10, 2013: Marching to New Titles

     

     

     

     

     

     

    Check out these titles releasing in March...

     

     

     

     

     

    March 5, 2013: Catch the BEA Buzz

     

    Titles for BEA's Editor Buzz panels have been announced.  The middle-grade titles selected are:

     

     

    A Very Nearly Honorable League of Pirates #1: Magic Marks the Spot by Caroline Carlson

     

     

    Counting By 7s by Holly Goldberg Sloan

     

     

    The Fantastic Family Whipple by Matthew Ward

     

     

    Nick and Tesla's High-Voltages Danger Lab by Bob Pflugfelder and Steve Hockensmith

     

     

    The Tie Fetch by Amy Herrick

     

    For more Buzz books in other categories, read more...

     

     

     

    February 20, 2013: Lunching at the MG Roundtable 

     

    Earlier this month, MG authors Jeanne Birdsall, Rebecca Stead, and N.D. Wilson shared insight about writing for the middle grades at an informal luncheon with librarians held in conjunction with the New York Public Library's Children's Literary Salon "Middle Grade: Surviving the Onslaught." 

     

     

    Read about their thoughts...

     

    February 10, 2013: New Books to Love

     

     

     

     

     

    Check out these new titles releasing in February...

     

     

     

    January 28, 2013: Ivan Tops List of Winners 

    The American Library Association today honored the best of the best from 2012, announcing the winners of the Newbery, Caldecott, and Printz awards, along with a host of other prestigious youth media awards, at their annual winter meeting in Seattle.

    The Newbery Medal for the most outstanding contribution to children’s literature went to The One and Only Ivan by Katherine Applegate. Honor books were: Splendors and Glooms by Laura Amy Schlitz; Bomb: The Race to Build--and Steal--the World’s Most Dangerous Weapon by Steve Sheinkin; and Three Times Lucky by Sheila Turnage. 

    The Coretta Scott King Book Award went to Hand in Hand: Ten Black Men Who Changed America written by Andrea Davis Pinkney and illustrated by Brian Pinkney.

    The Laura Ingalls Wilder Award, which honors an author for his or her long-standing contributions to children’s literature, was presented to Katherine Paterson.  

    The Pura Belpre Author Award, which honors a Latino author, went to Benjamin Alire Saenz for his novel Aristotle and Dante Discover the Secrets of the Universe, which was also named a Printz Honor book and won the Stonewall Book Award for its portrayal of the GLBT experience.

    For a complete list of winners…

     

    January 22, 2013: Biography Wins Sydney Taylor

    Louise Borden's His Name Was Raoul Wallenberg, a verse biography of the Swedish humanitarian, has won the Sydney Taylor Award in the middle-grade category. The award is given annually to books of the highest literary merit that highlight the Jewish experience. Aimee Lurie, chair of the awards committee, writes, "Louise Borden's well-researched biography will, without a doubt, inspire children to perform acts of kindness and speak out against oppression."

    For more...

     

    January 17, 2013: Erdrich Wins Second O'Dell

    Louise Erdrich is recipient of the 2013 Scott O'Dell Award for her historical novel Chickadee, the fourth book in her Birchbark House series. Roger Sutton, Horn Book editor and chair of the awards committee, says of Chickadee, "The book has humor and suspense (and disarmingly simple pencil illustrations by the author), providing a picture of 1860s Anishinabe life that is never didactic or exotic and is briskly detailed with the kind of information young readers enjoy." Erdrich also won the O'Dell Award in 2006 for The Game of Silence, the second book in the Birchbark series. 

    For more...

     

    January 15, 2013: After the Call

    Past Newbery winners Jack Gantos, Clare Vanderpool, Neil Gaiman, Rebecca Stead, and Laura Amy Schlitz talk about how winning the Newbery changed (or didn't change) their lives in this piece from Publishers Weekly...

     

    January 2, 2013: On the Big Screen

    One of our Mixed-up Files members may be headed to the movies! Jennifer Nielsen's fantasy adventure novel The False Prince is being adapted for Paramount Pictures by Bryan Cogman, story editor for HBO's Game of Thrones. For more...

     


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The Craft

The Craft | The Process | The Writing Life

Contrary to popular belief, writing a book isn’t just sitting, staring at a computer screen, spewing out words and hoping they’ll magically mold into some sort of story.  Oh, but wouldn’t that be wonderful?  Those little black letters and words could climb and squirm their way into some semblance of order until you have a coherent story, worthy of an audience!  But, alas, until someone creates this wonderful piece of technology, writing a book is quite the contrary.  It requires skill, patience, perseverance, and knowledge.  Part of that knowledge comes from understanding your craft.  There are many elements that go into writing a book, some of which might seem a little more elusive than others.  Characters need to be carefully crafted, worlds must be skillfully created, and the plot must carry through the entire story.  While those are some great starting points, there are even more things to consider—voice, characterizations, descriptions, showing the story to your reader through the character’s eyes, and engaging your audience.  Easy peasy.

Characterization: The last thing you want is a cardboard cutout for a main character.  Honestly, that’s just flat, boring, and stiff.  Unless that’s your point, then go for it…? Maybe.  Otherwise, you’ll need to make your character engaging and someone for your readers to care about and root for.  And when introducing other characters, point out physical traits and characteristics other than eyes and hair color.  Think about the way they walk or how their hair falls into their face when they tip their head or how, no matter how many times this character bathes, they always smell like cheese.  I like cheese.  Swiss is my favorite.

Grammar & Technique:  I done gone and writ a book. Win I was dun, I even uzed spill check. It be a good book. Reel smart persons are going ta loved it.

Plot:  It was midnight. A girl woke from a nightmare.  About zombies.  She cried.  Her mother comforted her with milk and cookies.  The end.

Show Don’t Tell:  This is best described in a wonderful quote by Anton Chekhov— “Don’t tell me the moon is shining; show me the glint of light on broken glass.”  Brrr….It’s cold outside.  Oh, I mean I have goosebumps on my arms! Time for a sweater.

Voice :  This is really quite an elusive little thing that isn’t so little.  Yeah, it’s kind of vital to the life of your story.  Voice is your character’s unique way of speaking.  It’s the way they tilt their head, laugh with a sweet little trill and narrate your entire manuscript.  Voice takes practice, and once you get it, you’ll know it and so will your readers!

World Building:  Zombies are cool.  That is all.

* * * * *

Beginnings:  Once upon a time.  It was a dark and stormy night.  It was the best of times, it was the worst of times.  They call me Ishmael.

Muddy Middles:  Help! My feet are stuck in quick sand and I’m sinking!  This story is going NO WHERE fast!

Wrapping It Up:  And they all lived happily ever after.  The end.

Back to MUF’s “For Writers” page

1 Comment

  1. Karron  •  Sep 18, 2012 @8:10 pm

    If it were easy, everyone could do it. There are those who struggle to write so much as a sentence that is their creation. There are those who can write 100 pages and never say anything. Then there are writers.

    [Reply]

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