Posts Tagged Disney Hyperion

Editor/Agent Spotlight: Editor Rachel Stark of Disney-Hyperion

I’m so excited to welcome Rachel Stark, editor at Disney-Hyperion, to the Mixed-Up Files!

Rachel (they/them) is an editor, marketer, and activist with almost a decade of experience in children’s and young adult publishing at houses including Disney-Hyperion, Macmillan, Scholastic, Simon & Schuster, Bloomsbury, and Sky Pony Press. The award-winning and bestselling authors they’ve edited include Alexandra Bracken, Erin Bow, Jason June, Pablo Cartaya, Jen Wang, Rainbow Rowell, Faith Erin Hicks, Ben Hatke, John Patrick Green, Zach Weinersmith, and more. Books they have edited have been #1 New York Times, Washington Post, and Publishers Weekly bestsellers; been longlisted for the National Book Award for Young People’s Literature; won the Goodreads Choice Award, Asian/Pacific American Award for Children’s Literature, and Christopher Medal; been shortlisted for the Schneider Family Book Award; received multiple starred reviews; appeared on the Kids’ Indie Next List and myriad state award lists, and been listed as best books of the year by NPRKirkus ReviewsSchool Library Journal, and more. Not only that, but (unbeknownst to me when I first reached out to them) they were the editor for our very own MUF member Natalie Rompella’s novel Cookie Cutters & Sled Runners!
MMD: Hi Rachel, thanks so much for coming onto the Mixed-Up Files. 

RS: Thanks so much for having me! I’ve been reading this blog for so long, it’s kind of wild to actually be featured. 

MMD: What was your path to becoming an editor? Did you always represent children’s books? 

RS: I was a big reader as a kid, and I always knew I wanted to work with books—I just didn’t realize that there were ways to work with books other than writing them. As a freshman in high school I picked up Betsy Lerner’s The Forest for the Trees, which is an editor’s advice to writers. Reading about what Betsy herself did as an editor was a lightbulb moment, and in the way of a fourteen-year-old gifted kid who’s pretty sure they know everything and can do anything, I set my sights on editing then and there.

My actual path to the role I’m in now was, of course, far more complicated than my fourteen-year-old self imagined. After several internships I worked in textbook editorial and then children’s book marketing, and by the time I started editing full time I’d been in the industry five years already. 

And no, my path wasn’t always aimed at kids’ publishing! At fourteen I wanted to edit adult literary fiction, but one of my first internships was at Scholastic’s former Arthur A. Levine Books imprint, and after I moved on to the next thing I found I couldn’t stop thinking about the books I’d read and the community of optimistic, brilliant creators I’d discovered there. I dove into kidlit and never looked back.

MMD: What were some of your favourite middle grade books to read when you were growing up? Would you say that has influenced what you look for in terms of representing MG books?

RS: This is always a fun and slightly embarrassing question to answer, because though I was a huge reader as a kid, what I liked to read then is only a fraction of what I love to edit now. As a kid I read almost exclusively books with unicorns, horses, or wolves on the cover. I loved Jean Craighead George—I still want to train a falcon like Frightful in My Side of the Mountain, and if I could trade everything to go back and be raised by wolves, I would. Joanna Campbell’s Thoroughbred series made me dream of being a jockey until I grew way too tall for it. And I treasured Bruce Coville’s Into the Land of the Unicorns and Jeremy Thatcher, Dragon Hatcher; if I branched out from horses and wolves, it was usually to fantasy.

I had to go back as an adult and read a lot of the classics that came out when I was younger, but I’ve since fallen in love with a much wider array of genres, and my list reflects that. I do think my childhood reading influences me; my taste leans literary and layered, and quote-unquote animal books sometimes get excluded from that category—but I still have a soft spot for the stories I know I would have loved. Cookie Cutters & Sled Runners is a great example of a book I’d have picked up for the dog on its cover, and then fallen in love with for its wonderful characters and impeccable representation of neurodivergence. And if you keep your eye on PW you’ll someday hear about a series I just acquired that perfectly marries the kind of story I loved as a kid with the kind of empowering narrative I want the kids of today to have.

MMD: What are some favorite middle grade books you’ve worked on in the past? And what are some you’ve worked on recently that our readers should look out for?

RS: Cookie Cutters & Sled Runners is the first book I ever acquired and will always hold a special place in my heart. I recommend Jen Wang’s Stargazing constantly—it’s such an empathetic, sweet, and funny story with wonderful characters. Ben Hatke’s Mighty Jack & Zita the Spacegirl and John Patrick Green’s InvestiGators were both so much fun to work on, and I love cheering for those creators and series as they keep finding more fans. The middle grade I’m most proud of by far is Simon Sort of Says by Erin Bow, which came out in January and has gathered a host of award nominations and fabulous reviews. It’s a wildly ambitious, laugh-out-loud funny and heart-wrenchingly timely novel about a kid finding himself, his friends, and his voice again after surviving gun violence at school. It sounds like a downer but it’s full of heart and levity thanks to Erin’s genius for finding light in darkness and using it to keep on going. I could talk about it forever.

MMD: What is your top advice for writers?

RS: I’m struggling to come up with one single piece of advice because that’s so dependent on each writer’s strengths and needs. But I’ll share something small that goes a long way toward building goodwill at your publisher: When writing your acknowledgments, ask your editor to send you a list of the people in house who worked hard on your book but who you may not have known were involved. It takes a village to make a book, and you likely don’t realize how many people have poured their energy into yours. Editors and publicists are often the people whose work is most visible to authors and so they’re used to being thanked, but for the sales assistant who really rallied behind you, the marketer who handsold your book at every con, or the managing editor who saved everyone’s butt when it came to making printer deadlines, it means so much to have their work seen and valued.

MMD: What advice would you give to a debut author? Both in terms of working with their editor and in general?

RS: Broadly, I think my biggest advice is to focus on the things you can control. There’s so much that’s out of your hands, that’s out of even your publisher’s hands. You can write an award-worthy book that happens to publish in the same year as many award-worthy books, or in a year where the award committees are interested in something other than what you’re doing. Market conditions and buying practices can change in a heartbeat, budgets can be slashed or imprints consolidated, key cheerleaders could move to other jobs, delays or paper shortages or pandemics or any number of unpredicted obstacles can suddenly topple the best-laid plans. . . . 

You’ve likely been dreaming for years about what your debut experience will be like, and now that it’s here you’ll want all the stars to align just right. But remember that you can’t control the stars. 

What you can control is writing the best book you can write, and then writing the next one, and the next one. That first book is just the start of what for most writers is a long and winding career, where the models for success are as many and varied as the books on your shelf. If it doesn’t go the way you hoped? Get to work on the next one.

MMD: After the high of having sold a book to a publisher, many authors I know, myself included, have a big cry when they receive their editorial letter. I think that as much as authors know that however many drafts they’ve done on their book it kind of gets set back to zero once they begin the editorial process, seeing that letter can be demoralising no matter how gently it’s written. Whether it’s a debut author or an author working with you for the first time, do you find that the relationship requires managing expectations and building trust?

RS: The editor-author relationship requires a huge amount of trust! It’s intensely vulnerable to receive critique, and I find that the process of digging deep into a story to make it the best it can be often demands that the author and I dig deep into ourselves. It takes both trust and care to create a space where we can do that. 

With regards to that initial shock you feel on receiving feedback—it’s incredibly hard to write a novel and incredibly hard to revise one, and of course cresting one mountain to realize there’s another ahead is going to be daunting! Whatever you feel in that moment, it’s understandable. But remember that your editor chose to work with you on this project, and feedback is a show of our investment in your work reaching readers and being well received. We wouldn’t be putting so much time and emotional energy into your work if we weren’t wildly in love with your writing and excited about the story you’re working to tell.

MMD: That is really helpful advice, thank you.

I loved this interview with you at Kirkus. https://www.kirkusreviews.com/news-and-features/articles/rachel-stark-freelance-editor/. What are some pros and cons for being a freelance editor vs being in-house?

RS: An interesting question, and my pros and cons are pretty specific to me. For context, I didn’t initially choose to go freelance; I mysteriously found myself lacking a job after supporting a union drive 😊. But it was exactly what I needed after that experience. Being able to choose my projects and clients, working with people who enthusiastically wanted to work with me, and having enough flexibility to reinvest in other hobbies and give myself breaks from thinking about work were all wonderful. I was lucky to have a lot of opportunities to use my freelance work to get firsthand experience in genres and formats I’d always been interested in but not yet exposed to—the expertise I gained in graphic novels has proven invaluable in my job at Disney-Hyperion—and to work with editors and authors I’d always admired. The down side, beyond the obvious stuff like lack of benefits and the potential for the work to dry up, was that I wasn’t getting the opportunity to build a list and a reputation of my own. By the time Disney-Hyperion offered me a role, I was ready to take what I’d learned and start building a reputation for the books I acquired and ushered successfully to market. 

MMD: What kind of projects did you/do you work on as a freelance editor—for example are they projects where an author is trying to get their book to the level needed to get an agent, or are they at other stages? What are some reasons someone might be interested in a freelance editor?

RS: Because of the connections I had, I actually found myself in the position of working mostly on books that had already been signed up for publication, but that needed an extra perspective, someone to keep them moving while an editor was out, or just someone who could give that individual book more time and attention than the full-time staff who were torn between millions of priorities. So mostly I was being hired by publishers rather than by writers. I did take on a couple of projects from authors looking for an agent or a book deal, and I found that often they’d taken their manuscript as far as they could take it and still weren’t getting the responses they wanted, so they were looking for an outsider’s perspective on how they could keep developing their craft. Some writers reached out to me before even going on submission, just to have the benefit of feedback from a fresh set of eyes. The writing process is so solitary, it can be immensely helpful to have someone to bounce ideas around with and to help you see your strengths and areas to improve in.s

MMD: I know that in your long time in publishing you have also worked on the marketing side, including high profile campaigns for New York Times–bestselling books and series, as well as winners of the Caldecott Medal, Newbery Honor Medals, the Coretta Scott King Award, the Stonewall Book Award, the Walters Award, and more. Do you find that your experience in marketing influences your editorial work and style?

RS: For a lot of the time I spent in marketing I was dying to become an editor, and it was frustrating to not be there already—but in retrospect that experience was so valuable. It changed how I think about what I acquire and what I hope success to look like for each book. And having worked outside of editorial I have an even greater sense of empathy and appreciation for how hard everyone is working in all departments to make books shine. Something folks don’t realize about editors’ role is that a lot rests on the relationships we have with colleagues, and how and when we’re able to get them excited about what we’re working on, our ability to brainstorm and build alongside each other, and what we can learn from them—so the added camaraderie I get from knowing what it’s like to be in their position is invaluable. I think the effects of my marketing experience are more visible on the publisher’s side than in my relationships with authors and agents, but it has brought me great books! Simon Sort of Says actually came to me because I had marketed one of Erin Bow’s books and we had a mutual admiration from that time.

MMD: What genres, themes etc are you looking for at Disney and where can people find out more details about this?

RS: I acquire original novels and graphic novels for middle grade and adult readers, and I have a wishlist I update regularly here: https://rachelstark7.wixsite.com/home/general-1. Unfortunately Disney’s policy is that I can’t accept unagented queries, unless I’ve specifically requested them at a conference or convention. But I do find that sometimes after writers find an agent they remember that I seemed like a fit and point their new agent in my direction—I hope Mixed-Up Files readers who liked what I’ve had to say and write in these categories will do that!

MMD: What are your socials and/or the best way for people to keep up to date with you?

RS: The best places to connect with me are Bluesky (syntactics.bsky.social) and Facebook (@EditorStark, https://www.facebook.com/EditorStark/)/. I’m also (regrettably and half-heartedly) on the Website Formerly Known as Twitter as @syntactics. 

MMD: Rachel, it’s been such an honor and education speaking with you, and I know our readers will get so much out of your responses. Thank you so much for joining us!

Interview with Stephanie Lurie, Editorial Director of the Rick Riordan Presents imprint at Disney-Hyperion!

Hello Mixed-Up Filers!

Are we in for a treat! A few years ago, I was fortunate enough to meet Stephanie Lurie at a Florida SCBWI conference, as well as take a workshop she was giving. Besides being extremely informative, she couldn’t have been nicer.

If you don’t know her, she’s the Editorial Director of the Rick Riordan Presents imprint at Disney-Hyperion, and I’m thrilled to feature her in the Editor Spotlight!

Hi Stephanie, thanks for joining us today!

JR: You’ve had a long, successful career in publishing. Could you tell us a little bit about your path to becoming an editor, and eventually working for Disney-Hyperion?

SL: Being a children’s book editor was a career choice I made very early on. When I was fifteen, a local bookstore owner asked me to review a book a townsperson had written for young adults. As I read the book, I thought, “Too bad this woman doesn’t know how kids really think.” It was an “aha!” moment for me: I could help authors make their books stronger. I’m not even sure how I knew such a job existed. . . .

I went on to be a creative writing major at Oberlin College, and during the first semester of my senior year, I had an internship for college credit at Dodd, Mead and Company in New York (a publishing house that was ultimately acquired by Thomas Nelson Books). My experience working for a children’s book editor at Dodd, Mead proved to me that I had found my calling. Dodd, Mead offered me a job after college–for a whopping $8,000 a year!–in sales promotion and customer service. I learned a lot, but I wanted to get back to children’s editorial. I jumped over to Little, Brown, where I grew up from editorial assistant to senior editor over twelve years. After that I ran the imprint Simon & Schuster Books for Young Readers for six years. My next stint was as president and publisher of Dutton Children’s books at Penguin. In my ninth year there, a friend of mine who was working at Disney Hyperion talked me into applying for an editorial director job by saying, “How would you like to do what you are doing at Dutton but not have any other imprints competing for marketing and publicity attention?” That sounded pretty good to me, and over the past decade there I have enjoyed being part of a boutique publisher within a huge entertainment company.

 

JR: That’s some exciting journey! What was the first book you worked on?

SL: I had a generous boss at Little, Brown who allowed me to “cut my teeth” on manuscripts by their top authors at the time, such as Lois Duncan, Ellen Conford, and Matt Christopher. One of the first authors I acquired was Neal Shusterman, who has gone on to be a New York Times bestseller and a National Book Award winner with other editors.

JR: When you first saw The Lightning Thief, what about it appealed to you so much?

SL: Rick Riordan’s first middle grade novel, The Lightning Thief, was acquired at auction before my time at Disney. Rick chose to go with Miramax Books, which eventually became part of Disney-Hyperion. Jennifer Besser (now at Macmillan) edited the Percy Jackson and the Olympians series. I took over as Rick’s editor after she left, picking up on the Kane Chronicles trilogy. I was amazed by how he made ancient Egyptian mythology relevant to modern readers with exciting adventure, relatable characters, a healthy dose of humor, and a breakneck pace. He makes it look easy.

JR: What’s changed in publishing between the time you started and now?

SL: What hasn’t? I’m so old (How old are you?), I pre-date office computers! Yes, we had to type on Selectrics, using carbon paper. The biggest changes have come from: corporate buy-outs of family-owned companies, which necessitated more attention to the bottom line; the rise of chain bookstores; the Harry Potter phenomenon, which brought hardcover fiction back from the brink of death; the importance of social media in author promotion; Amazon’s dominance; and today, more focus on diversity.

JR: I grew up doing all my reports on typewriters. Slightly easier now. And by the way, I could’ve sworn I heard Gene Rayburn say the “I’m so old” part before you answered (How old are you?) But back to the interview. Disney has recently acquired a lot of new properties. Does that mean anything for the publishing division?

SL: Disney now encompasses several premiere brands, such as Pixar, Marvel, Star Wars, and Fox Entertainment. We can publish against all of these brands, from straight movie tie-ins to extension books that tell new stories based on the characters from the movies. It also means that there is more opportunity for intercompany synergy for authors writing their own IP (intellectual property).

JR: What do you enjoy the most about your job?

SL: I’m having a blast helping Rick curate the Rick Riordan Presents line of middle grade fiction by under-represented authors who want to write stories about their own cultures’ folklore and mythology. I send him submissions to consider, acquire the projects we agree on, edit the manuscripts, and collaborate with my colleagues on book design and promotion.

JR: All that sounds like a tremendous amount of fun. What sort of books do you look for?

SL: For Rick Riordan Presents, we want the same qualities that make Rick’s own books so popular, because the imprint was created to satisfy his fans’ craving for adventure based on mythology. We look for a funny, snarky teenage voice; a fast pace; an exciting, high-stakes plot; and a likeable but flawed protagonist who grows over the course of the story.

JR: The kinds of books I love! Are you very hands-on with your authors?

SL: I’ve always enjoyed helping writers bring out their story by asking pointed questions and making suggestions to improve logic, flow, and clarity. For the Rick Riordan Presents authors, my guidance may be a bit more involved, because there is a certain flavor we are trying to achieve while retaining the author’s own voice. It’s a delicate balance.

JR: What’s the state of publishing right now, in particular, Middle Grade? 

SL: It can be difficult for a book—any book—to break out in this time when there is so much entertainment content for consumers to choose from and there are fewer retail outlets for print. Amazon is grabbing more and more market share, but the online site doesn’t encourage browsing. Buyers who shop there usually go already knowing what they want. This is part of the reason best-selling authors remain best-selling authors and new authors have trouble competing. Authors need to partner more with their publisher on promotion as a result.

JR: Probably more important than ever for authors to get involved in the promotion process. What advice can you give to authors?

SL: The best way to learn to write is to read, read, read, and write, write, write.

Remember that you are communicating with an audience and not just writing to satisfy your own ego.

A good concept isn’t enough by itself. Write the entire manuscript.

You may have to land a literary agent before you can land a publishing deal.

Choosing an agent and editor/publisher is like choosing any partner. Make sure there is good chemistry between you.

Be open to feedback but stand up for what is important to you.

Don’t expect the publication of your book to satisfy all your desires or change your life.

Writing the book is only 50% of the work; promotion after publication is the other 50%.

School visits are still one of the best ways to build word-of-mouth.

Support other authors on your way up, and they will (should) do the same for you.

 

JR: All of that is outstanding advice. In my experience, many authors have been extremely supportive of each other. I think strong relationships are extremely important in that regard. I read that Harriet the Spy was one of your favorite childhood books. I have a few friends who wholeheartedly agree with you. What did you love about it and what other books were among your favorites?

SL: I loved how honest Harriet the Spy was about a kid’s real life—I believe it was one of the first contemporary middle grade novels ever published. To this day I enjoy books in which a well-meaning main character makes a big mistake that causes them humiliation, e.g. The Truth About Jellyfish by Ali Benjamin. As a kid I also enjoyed animal-based fantasies such as Stuart Little and The Trumpet of the Swan by E.B. White, and The Mouse and the Motorcycle by Beverly Cleary. High fantasies such as The Chronicles of Narnia and Lord of the Rings stood out, too.

JR: The Narnia books were also among my favorites as a child. Speaking of childhood, what’s one thing from your childhood that you wish could come back?

SL: My fun-loving dad. He taught me to always remain a kid at heart.

JR: Okay, that answer hit me. If there’s one thing I could wish for from then, it would also be to see my dad. How can people follow you on social media?

SL: For publishing news and comments, Twitter is probably the best bet: @SOLurie.

JR: Before we go, is there anything else that you’d like to add?

SL: Thank you for inviting me to answer these questions. I greatly admire authors—both aspiring and published—and wish everyone a fulfilling journey. Your book could be the one that makes a reluctant reader a forever reader, changes a kid’s perspective, and inspires someone else to be a writer.

JR: Extremely true. Thank you again for taking the time to speak with us today!

 

Well, that’s it for now, Mixed-Up Filers. I’d like to once again thank Stephanie Lurie for joining us! And if you ever see her listed to speak at a conference, I strongly suggest you go listen!

Until next time . . .

November New Releases

November is a month for enjoying friends, family, and literature! Here is a cornucopia of great new books to be thankful for, including our own Greg R. Fishobone’s theamorphousassassinGALAXY GAMES: THE AMORPHOUS ASSASSIN  available November 18th from Spellbound River Press. Thirteen-year-old Tyler Sato has lied, cheated, and scammed his way into the Galaxy Games. Now, on the eve of the galaxy-spanning sports tournament, Tyler’s past is catching up…with a vengeance! Earth’s team of international all-stars is at each other’s throats. A shadowy conspiracy is on the move. And a shape-shifting alien assassin has Tyler in his sights. Can Tyler step up his game to become the leader Earth needs? Or will the world finally discover that Tyler isn’t quite the hero that everyone believes? THE AMORPHOUS ASSASSIN launches an epic new story arc within the Galaxy Games series.

November 1st:

thefriendshipexperimentTHE FRIENDSHIP EXPERIMENT by Erin Teagan from HMH Books for Young Readers. Future scientist Madeline Little is dreading the start of middle school. Nothing has been right since her grandfather died and her best friend changed schools. Maddie would rather help her father in his research lab or write Standard Operating Procedures in her lab notebook than hang out with a bunch of kids who aren’t even her friends. Despite Maddie’s reluctance, some new friends start coming her way—until they discover what she’s written in that secret notebook. And that’s just part of the trouble. Can this future scientific genius find the formula for straightening out her life?

fannieneverflinchedFANNIE NEVER FLINCHED One Woman’s Struggle in the Battle for American Labor Union Rights by Mary Cronk Farrell from Abrams. Fannie Sellins (1872–1919) lived during the Gilded Age of American Industrialization, when the Carnegies and Morgans wore jewels while their laborers wore rags. Fannie dreamed that America could achieve its ideals of equality and justice for all, and she sacrificed her life to help that dream come true. Fannie became a union activist, helping to create St. Louis, Missouri, Local 67 of the United Garment Workers of America. She traveled the nation and eventually gave her life, calling for fair wages and decent working and living conditions for workers in both the garment and mining industries. Her accomplishments live on today. This book includes an index, glossary, a timeline of unions in the United States, and endnotes.

thebonesparrowTHE BONE SPARROW by Zana Fraillon from Disney-Hyperion. Subhi is a refugee. Born in an Australian permanent detention center after his mother and sister fled the violence of a distant homeland, Subhi has only ever known life behind the fences. But his world is far bigger than that—every night, the magical Night Sea from his mother’s stories brings him gifts, the faraway whales sing to him, and the birds tell their stories. And as he grows, his imagination threatens to burst beyond the limits of his containment.
The most vivid story of all, however, is the one that arrives one night in the form of Jimmie—a scruffy, impatient girl who appears on the other side of the wire fence and brings with her a notebook written by the mother she lost. Unable to read it herself, she relies on Subhi to unravel her family’s love songs and tragedies.
Subhi and Jimmie might both find comfort—and maybe even freedom—as their tales unfold. But not until each has been braver than ever before

doubledownDIARY OF A WIMPY KID: DOUBLE DOWN by Jeff Kinney from Amulet. The pressure’s really piling up on Greg Heffley. His mom thinks video games are turning his brain to mush, so she wants her son to put down the controller and explore his creative side. As if that’s not scary enough, Halloween’s just around the corner and the frights are coming at Greg from every angle. When Greg discovers a bag of gummy worms, it sparks an idea. Can he get his mom off his back by making a movie . . . and will he become rich and famous in the process? Or will doubling down on this plan just double Greg’s troubles?

thepearl-shelldiverTHE PEARL-SHELL DIVER by Kay Crabbe from Allen and Unwin. Sario lives with his family on a remote Torres Strait island, which he never wants to leave but the winds of change are stirring. The year is 1898, and the pearl-shell trade is at its height. When his father is coerced to join a white trader on his pearling lugger, 13-year-old Sario must go to work as a swimming diver to support the family. He can earn more as a pump diver, and is excited by the idea of walking on the sea floor, but the competition is fierce, and the only captain who will take him on runs the worst outfit in the fleet. With the constant danger of shark attack and the storm of the century approaching, can Sario provide for his family and realize his dream?
archiegreeneandthealchimistscurseARCHIE GREENE AND THE ALCHEMIST’S CURSE by D.D. Everest from Harper Collins. In Archie Greene and the Magician’s Secret, Archie became one of the Flame Keepers, a secret group devoted to finding and preserving magical books that are literally portals into other places and times.
In the action-packed sequel, the Golden Circle a symbol that hasn’t been seen in three hundred years appears on Archie’s palm.It’s the mark of the Alchemists Club, a group of young magicians from centuries past who experimented with magic…until the spells got out of control, the results turned disastrous, and the club disbanded.
Now Archie and a few other apprentices, including his cousins Thistle and Bramble, have been marked with this powerful symbol and appear to be chosen to reestablish the club. They don t know who chose them. They don t know why. And they don t know what perils they are about to face because the Golden Circle has returned.

thekindnessclubTHE KINDNESS CLUB by Courtney Sheinmel from BloomsburyChloe Silver has always been good at looking on the bright side. Even though her parents got divorced and she’s moved to a new town, she knows that she will make great friends at her new school. So when she is assigned a science project with offbeat Lucy Tanaka and nerdy Theo Barnes, they have fun creating an experiment that tests out the laws of science through different acts of kindness . . . officially forming The Kindness Club.

But when she is also asked join the cool girls’ exclusive It Girls club, Chloe feels completely torn between the It Girls and The Kindness Club. Faced with the possibility of upsetting all her new friends, Chloe’s capacity for kindness is put to the test. Sometimes mistakes yield the best discoveries, and there is one hypothesis that can always be proven correct: Kindness is the coolest.

nothingbuttroubleNOTHING BUT TROUBLE by Jacqueline Davies from HarperCollins/Tegen. Odawahaka has always been too small for Maggie’s big scientific ideas. Between her stuck-in-a-rut mom, her grumpy grandpop, and the lifetime supply of sludgy soda in the fridge, it’s hard for Maggie to imagine a change. But when Lena moves in with her creative spirit and outrageous perspective, middle school takes off with a bang. Someone starts pulling the kind of pranks that send their rule-loving new principal into an uproar complete with purple puffs of smoke, parachuting mice, and a scavenger hunt that leads to secret passageways. Suddenly the same-old football games, election for class president, and embarrassing stories feel almost exciting. And for the first time in her life, Maggie begins to wonder if there might be more to Odawahaka than she ever saw coming.

thecartographersdaughterTHE CARTOGRAPHER’S DAUGHTER by Kiran Millwood Hargrave from Knopf. Legends say that the island of Joya was once a place where songbirds sang in every tree and the islanders were free to come and go as they pleased. That was before the harsh-ruling Governor arrived, and ravens drove out the native birds. Now there are no songbirds, and the people are forbidden to travel beyond the forest that separates them from the rest of the island.
But for Isabella, the legends of her island home have always seemed like more than just stories. And when a series of mysterious events shakes the community, it’s Isabella daughter to the island’s only mapmaker who will lead a party of explorers into the forest in search of answers. As the group ventures deeper and deeper into the island, dark secrets begin to surface, and the legends Isabella has listened to all these years show signs of coming to life.

snakesandstonesSNAKES AND STONES by Lisa Fowler from Sky Pony. Twelve-year-old Chestnut Hill’s daddy stole her and the triplets away from their mama. At least, that’s how Chestnut remembers it. It’s 1921, and after nearly two years on the road with his traveling elixir show, Daddy’s still making no move to go back to Kentucky and buy Mama that house. So Chestnut is forced to come up with her own plan to get home. At night, when Daddy and the triplets are in bed, she draws up flyers with the name of the next town they ll be traveling to. Before they leave each town and hoping her mama will see them, she nails up the flyers, leaving Mama an easy trail straight to her children.
When that doesn t work, Chestnut is forced to try something bigger. But when her newest plan lands Daddy in jail and Mama has to come to the rescue, Chestnut discovers that things are not always as they seem.

returntothesecretgardenRETURN TO THE SECRET GARDEN by Holly Webb from Sourcebooks Jabberwocky. As she turned it the door creaked a little and opened inwards…The only friend Emmie Hatton has ever had at the Craven Home for Orphaned Children is Lucy, the little black kitten that visits her on the fire escape every day. But when the children of Craven Home are evacuated out of London because of the war, heartbroken Emmie is forced to leave sweet Lucy behind. The children are sent to Misselthwaite Manor, a countryside mansion full of countless dusty rooms and a kind, if busy, staff. Emmie even finds a gruff gardener and an inquisitive little robin that just might become new friends. And soon, in the cold, candle-lit nights at Misselthwaite, Emmie starts discovering the secrets of the house-a boy crying at night, a diary written by a girl named Mary, and a very secret, special garden…

caveboydaveCAVEBOY DAVE: MORE SCRAWNY THAN BRAWNY by Aaron Reynolds, illus. by Phil McAndrew from Viking. His grandpa invented fire. His dad invented the wheel. How will Caveboy Dave leave his mark? Dave Unga-Bunga has always been more scrawny than brawny. This is a major problem when your village expects you to become a meat-bringer. At age twelve, all young cave-people must stalk through the eerie mushroom forests for a prehistoric beast the village can feast on. Dave would much rather invent stuff for a better life, though like underwear to make loincloths less itchy and cutlery to make eating less filthy. Can Dave save his group by inventing the perfect defense against a bloodthirsty pokeyhorn? Or will he MEET HIS DOOM?

threadsTHREADS by Ami Polonsky from Disney Hyperion. To Whom It May Concern: Please, we need help. The day twelve-year-old Clara finds a desperate note in a purse in Bellman’s department store, she is still reeling from the death of her adopted sister, Lola. By that day, thirteen-year-old Yuming has lost hope that the note she stashed in the purse will ever be found. She may be stuck sewing in the pale pink factory outside of Beijing forever. Clara grows more and more convinced that she was meant to find Yuming’s note. Lola would have wanted her to do something about it. But how can Clara talk her parents, who are also in mourning, into going on a trip to China? Finally the time comes when Yuming weighs the options, measures the risk, and attempts a daring escape.
The lives of two girls–one American, and one Chinese–intersect like two soaring kites in this story about loss, hope, and recovery.

November 8th:

thelostpropertyofficeTHE LOST PROPERTY OFFICE by James R. Hannibal from Simon & Schuster. Thirteen-year-old Jack Buckles is great at finding things. Not just a missing glove or the other sock, but things normal people have long given up on ever seeing again. If only he could find his father, who has disappeared in London without a trace.

But Jack’s father was not who he claimed to be. It turns out that he was a member of a secret society of detectives that has served the crown for centuries—and membership into the Lost Property Office is Jack’s inheritance. Now the only way Jack will ever see his father again is if he finds what the nefarious Clockmaker is after: the Ember, which holds a secret that has been kept since the Great Fire of London. Will Jack be able to find the Ember and save his father, or will his talent for finding things fall short?

florencenightengaleFLORENCE NIGHTENGALE: THE COURAGEOUS LIFE OF THE LEGENDARY NURSE by Catherine Reef from HMH/Clarion. Most people know Florence Nightingale was a compassionate and legendary nurse, but they don’t know her full story. This riveting biography explores the exceptional life of a woman who defied the stifling conventions of Victorian society to pursue what was considered an undesirable vocation. She is best known for her work during the Crimean War, when she vastly improved gruesome and deadly conditions and made nightly rounds to visit patients, becoming known around the world as the Lady with the Lamp. Her tireless and inspiring work continued after the war, and her modern methods in nursing became the defining standards still used today. Includes notes, bibliography, and index.

thedograyTHE DOG, RAY by Linda Coggin from Candlewick. When my death came it was swift. Swift as a running horse. It wasted no time. Daisy, age twelve, has died in a car accident. She finds herself in the afterworld, which resembles nothing more than a job center. Her soul is being returned to Earth, but not as a human being she’s returning as a dog. A dog who retains Daisy’s thoughts and pluck and is determined to get back to her parents and to get back home. What she doesn t expect is that life as a dog named Ray would come with such worries and moments of jubilation as she grows to care for others in a whole new way.

merrowMERROW by Ananda Braxton-Smith fro Candlewick. The people of Carrick Island have been whispering behind Neen’s back ever since her father drowned and her mother disappeared. The townspeople say her mother was a merrow and has returned to the ocean. Neen, caught in her hazy new in-between self not a child, but not quite grown up can t help but wonder if the villagers are right. But if her mother was a oymerrow, then what does that make Neen?

 

captain

Captain by Sam Angus from Macmillan/Feiwel and Friends. It’s 1915 and British troops are about to sail to Gallipoli. Billy is the youngest soldier in his platoon and is teased for not being old enough to drink or shave. The truth is, at fifteen he’s not old enough to be a soldier, either, and he’s terrified of the war he’s about to fight. Then he meets Captain, a refugee boy, and his donkey, Hey-ho. Together they teach Billy what it means to be brave, loyal, and fearless, and above all what it means to be a friend.


abrakapowABRAKAPOW
by Isaiah Campbell from Simon & Schuster.
 Try as she might, cheeky middle schooler Maxine Larousse (you may call her Max La Roo or The Amazing Max, if you d like) has yet to learn the one magic trick she needs the most: how to reappear in New York City. That is where she used to live with her parents before her father, Major Larousse, was put in charge of a Nazi POW camp in Abilene, Texas. At least in this desolate wasteland she ll have plenty of time to practice her illusions, even if the only audience member is her ferret Houdini. When she’s tasked with entertaining the Nazi prisoners with a magic show, the pressure may be too much. But with the help of some classmates and an unexpected magic expert, the performance is a hit until twelve Nazis escape during her final act. Will she be able to track them down before her reputation as a magician is destroyed forever?

November 29:

thecharminglifeofizzymaloneTHE CHARMING LIFE OF IZZY MALONE by Jenny Lundquist from S & S/Aladdin. Izzy Malone isn t your typical sixth grader. She wears camouflage combat boots and tie dye skirts; the Big Dipper and Orion are her two best friends; and she d rather climb trees or shoot hoops than talk about boys and makeup. And after only a month of middle school she’s already set the record for the most trips to the Principal’s office. The only time Izzy feels at peace is when she’s on the open water, and more than anything else, she wants to become a member of the Dandelion Paddlers, her school’s competitive rowing club. But thanks to those multiple trips to the Principal’s office, Izzy’s parents force her to enroll in Mrs. Whippie’s Charm School, a home-study course in manners and etiquette, or they won t let her race in the Dandelion Falls annual pumpkin regatta where Izzy hopes to prove to the Dandelion Paddlers she is more than qualified to be on their team. When Mrs. Whippie’s first letter arrives it’s way different from what Izzy was expecting. Tucked inside the letter is a shiny gold bracelet and an envelope charm. Izzy must earn her first charm by writing someone a nice note, and once she does more tasks will be assigned. Izzy manages to complete some of the tasks and to her surprise, she actually finds herself enjoying the course. But when one of her attempts at doing something good is misinterpreted, she fears her chances at passing the course and becoming a Paddler are slipping away. With some unexpected friends there to support her, can Izzy manage to earn her charms and stay true to herself?

spectacularsportsscienceTHE BOOK OF WILDLY SPECTACULAR SPORTS SCIENCE: 47 ALL-STAR EXPERIMENTS by Sean Connolly from Workman. Why does a knuckleball flutter? Why do belly flops hurt so much? Why would a quarterback prefer a deflated football? Here are 54 all-star experiments that demonstrate the scientific principles powering a wide variety of sports and activities—and offer insights that can help you improve your own athletic skills. How does a black belt karate chop her way through a stack of bricks? Use Popsicle sticks to understand why it’s possible and learn the role played by Newton’s second law of motion. Does LeBron James really float through the air on the way to a dunk? Use a tennis ball, a paperback book, and the help of a friend to understand the science of momentum and the real meaning of hang time. Using common household objects, each project includes step-by-step instructions, tips, and a detailed explanation of how and why the experiment worked. It’s a win-win. The thrill of victory, the agony of defeat—it’s all in the science.

What about you? Which new releases are you looking forward to falling into?