Posts Tagged Middle-Grade Fantasy

Author Interview – Sarah Jean Horwitz and THE DEMON SWORD ASPERIDES

I had the pleasure of interviewing Sarah Jean Horwitz about her upcoming Middle Grade fantasy, THE DEMON SWORD ASPERIDES.
I’m a huge fan of Sarah Jean’s previous work – including the CARMER AND GRIT series and THE DARK LORD CLEMENTINE, so I jumped at the chance to get an early peek at her latest.
It was exactly as fun and magical as I hoped it would be. I loved it. I think you will too.

 

Tell us a little bit about your latest book, The Demon Sword Asperides.

The Demon Sword Asperides is a fantasy adventure about a two-thousand-year-old talking demon sword who tricks Nack, a young aspiring knight, into wielding the sword’s power in exchange for Nack’s soul. The two embark on a quest to restore Nack’s honor with his clan but find themselves forced into a battle against a recently resurrected evil sorcerer – a sorcerer who just happens to be Asperides’s former master.

The Demon Sword Asperides has already gotten starred reviews. Kirkus called it “…quirky and fun but also nuanced and complex” and Booklist said it’s …endlessly inventive and terrifically funny….” Can you tell us a little bit about how this story came to be? What was your initial inspiration? And how did the story grow and change as you wrote it?

The idea for the story came to me watching a Chinese fantasy show on Netflix. In the show, two young heroes find themselves stuck in cave fighting a murderous giant tortoise (as one does). The protagonist dives under the tortoise’s shell and proceeds to take a tour of its inner workings (it’s a really big tortoise), where, among other things, he discovers a very obviously evil, no good, very bad sword. Like, the sword is whispering and hissing at him with the voices of the dead! Its power clearly makes him feel ill! It is oozing black smoke! And yet, our hero is like, “Yeah, seems legit,” and plucks the sword from inside the tortoise and harnesses its dark magic to help kill the tortoise monster. Then he just trucks around with this very obviously evil sword and like…no one really comments on it? It’s astonishing. Like, “Ah, I see you have been compelled to grip your creepy ancient sword so hard you draw blood. That seems fine!”

And I just thought it was so funny that everyone in the show was ignoring how obviously bad news this sword was. Then, to make my spouse laugh, I started doing a funny voice whenever the sword would appear on screen (especially when it was accompanied by those creepy indecipherable whispers). And then I started thinking…wait, but really, what does the sword think about all of this? It’s obviously somewhat sentient. How did it occupy itself, stuck in that cave for hundreds of years? What does it think of its new wielder?

The sword ends up being a manifestation of a different mystical material on the show, and the plot obviously diverges from there, but the idea stuck with me. And so the demon sword Asperides was born.

Nack Furnival, for this part, is a direct transplant from another story I worked on a few years ago. He was an aspiring mythic hero in that book, desperate to try and get into a hero academy – so not that different from an aspiring knight! That story wasn’t working, but I loved Nack, so I plucked him out of that story and put him in Asperides.

I originally thought I would write this idea as a short story for adults, but the minute I realized that Nack would be a great addition to it, I also realized it had to be a middle grade novel.

There is so much to love in this book. One of my favorite things was the names for the entities Nack and company encountered. Gasper-cats, angel blades, were-cats, whirlpools, no-crows, plague lizards, sleeping sand – the list is endless. Can you tell us how you came up with some of these and if you have a favorite (or two)?

It always tickles me when people like my names for things, because the names are something that I either have an idea for right away and love (like gasper-cats) or never really have an idea for and just put a funny placeholder in and somehow the placeholder never changes (two words: plague. lizards.) And sometimes there’s no obvious difference in reaction to the names I put thought into versus the ones I think are so bad they’re funny, which just goes to show! Ha.

A few origin stories of my favorites: Gasper-cats come from the old wives’ tale that cats will sit on your chest while you sleep and steal your breath. I came up with angel blades because demon swords obviously need a counterpart, don’t they? And an “angel blade” sounded like something a virtuous storybook knight would definitely wield.

Whirlpool is just a word that already exists, so I’m afraid I can’t take credit for that one!

Sarah Jean Horwitz author of The Wingsnatchers: Carmer and Grit Book OneOne of the things I love the most about your books is your world building. Do you have any tips for writers who are trying to create their own unique worlds?

I am not usually an “In a world where…” writer, and by that I mean I don’t usually come up with a concept for a story world first. For all my published novels, I always thought of the characters first and built the fantasy world around them and their character’s arc/journey. I look at my character and think about what they want, what they need, and what circumstances have to exist in the world for them to be the way they are. So, assuming I have the idea for a demon sword and a young protagonist and an evil sorcerer, I ask myself some basic questions. What are the swords used for and how? What sort of world is this that thirteen-year-olds are carrying around swords? What other kinds of magic are people using and how are those kinds of magic judged by their society? Once I have answers to those basic questions, I have a decent foundation for a fantasy story world and can add details from there.

This seemed like a book the author enjoyed writing. What did you have the most fun with? Were any parts surprisingly difficult?

I did have fun writing this book! I had the most fun writing Cleoline’s point of view, probably because it’s the most over-the-top. There is a dinner scene with Cleoline, her landlord Waldo the Wise, and the evil sorcerer Amyral Venir that is probably one of my all-time favorite scenes that I’ve written, and nothing too substantial even happens in it! I just think it’s funny.

I have the most difficulty with fight scenes and keeping track of where everyone is, what they’re doing, which hand they’re holding their sword in…and then you have to be entertaining and build suspense and manage the pace to keep the reader excited, too! You may notice I have a lot of fight scenes that fade to black…

What would you like readers to carry with them after they finish reading The Demon Sword Asperides?

I will just be thrilled if people enjoy the book and it brings a little fun, joy, and tenderness into their lives, even if just for a little while. We could all use some of that these days.

 

THE DEMON SWORD ASPERIDES is out July 11, 2023. You can enter to win a copy over at Goodreads through July 10.

Thank you so much for taking the time to share your process with us Sarah Jean. Want to learn more about Sarah Jean and her work? Visit her website.

 

Interview with Author Laurie J. Edwards, Author of UNICORNS OF THE SECRET STABLE Series, Plus BOOK GIVEAWAY!

It’s wonderful to have Laurie J. Edwards on today talking about her newest book series, UNICORNS OF THE SECRET STABLE! Laurie and I met at my very first writer’s conference many years ago and our paths continue to cross—especially when it comes to writing unicorn stories. But Laurie doesn’t have just one new book out but FOUR. Yes, four books releasing at once for unicorn fans young and old to gobble up!

Here are the books in order:
Book 1: Unicorns to the Rescue

Book 2: Lucky and the Dragon

Book 3: Magical Unicorn Horns

Book 4: Mermaid Magic

Laurie is also giving away a copy of book one, UNICORNS TO THE RESCUE. Just enter the contest at the end of this post. U.S. residents only please.

What’s UNICORNS OF THE SECRET STABLE about?

There are unicorns behind Magic Moon Stable, but no one except Iris and Ruby knows they exist. As Unicorn Guardians, it is the sisters’ job to protect the unicorns and use their magic to keep them safe from the outside world.

Like their mother before them, Iris and her younger sister Ruby have been charged with hiding and protecting the unicorn world hidden on their ranch. The rest of the world sees only a stable with an old, tired horse, but when the girls turn the magic key to the paddock, they enter a lush land filled with forests, magical landscapes and creatures, & their beloved unicorns.

Interview with Laurie:

Donna: The idea of a hidden realm within our own is magical and mysterious. What inspired the idea for this realm and the series?

Laurie: For me, the line between reality and fantasy is easily crossed. As a child, I lived more in my imagination than in the everyday world. I caught raindrops in my upside-down umbrella while I watched fairies play in the rainbow-colored oil slicks on a rainy road. When I wandered home, drenched and dripping, my mother despaired of my dreaminess. But I was so caught up in spending time with otherworldly friends, I never noticed—or cared–that I was soaked.

When I was asked to take over this existing series, I jumped at the chance to expand the Enchanted Realm. Some of the world-building had already been done, but I had to come up with new places for the sisters to go, and I enjoyed imagining the possibilities for new adventures, new unicorns, new magical creatures, and new landscapes for each book. I got to dream up the world as I went along, which let me play out my childhood fantasies in the pages of a book.

 

Donna: Throughout the series, we get the stories told from multiple points of view from the sisters, Ruby and Iris. Why did you decide to give them both a chance to tell their story in separate books?

Laurie: I seem to be drawn to sisters who have opposite personalities. One is usually quieter, more serious, and plans ahead; the other is impulsive and spirited. Bet you can’t guess which one is me. 😊 Actually, most people see my quieter, shyer side, but the truth is: the wilder sister is closer to the inner me. I guess I feel the need to show life from different viewpoints. I did the same thing with the Second Chance Ranch series, which featured two twins with different personalities. It makes for some great conflicts as one sister rushes into things, and the other tries to keep her sibling out of danger. I also think it’s fun to see situations from different viewpoints. I try to choose adventures that will fit each sister and always ask myself which sister would be the most challenged by the situation. That’s the one who tells the story. I like each of my characters to face situations that will help them grow and change.

 

Donna: Your series not only has unicorns in it but other enchanting creatures like mermaids and dragons. What other magical creatures are you drawn to writing about and can we expect to see them in future stories?

Laurie: I love all magical creatures. In fact, a sneak peek into another middle-grade series I’m working on, The Birch Tree Chronicles, centers around a spell-challenged fairy and features gargoyles, so I’m sure some of those elements will find their way into the unicorn series. But overall, I like the softer, gentler magical creatures, and I have some ideas for combining several creatures to create some unique ones all my own.

 

Donna: You’ve written many books about ranches, what led to you to make the leap from writing about horses to unicorns?

Laurie: For me it wasn’t much of a leap, because unicorns are horses with one horn. 😊 I’ve always been a horse lover from the time I was young, and I’ve already mentioned how drawn I am to the fantasy world, so unicorns seemed like the perfect combination.

 

Donna: The final book in the series, MERMAID MAGIC, has Ruby exploring more of the Enchanted Realm leaving readers to wonder if future adventures await Ruby—and Iris—after this. Can we expect more stories in the series to come?

Laurie: I’m in the planning stages for more unicorn stories. Because the girls visit an underwater kingdom in the fourth book, I’d like some of the next books to center around mythical creatures who dwell in the sea. I also have ideas for quite a few more adventures. As the girls explore their secret realm, they’ll travel to many unusual settings and add new unicorns with different magical powers in each book.

Donna: Your legacy of stories includes a range of contemporary, magical, westerns, and non-fiction for all ages. What is it that you love about writing for the middle grade audience?

Laurie: I love spending time with middle graders. I taught in the early elementary grades and worked as a children’s librarian, so middle-graders are my favorite people. I love their imaginations and creativity, their eagerness to learn, and their enthusiasm for life. I sometimes think I’m still a middle-grader at heart. There’s a part deep inside of me that, like Peter Pan, never wants to grow up. And that part of me still believes in magic. Magic I hope spills onto the pages of my books.

 

Donna: Can you share what kind of story you’re working on now?

Laurie: I’m always writing several books at once. In addition to several adult novels and three picture books, I’m working on The Birch Tree Chronicles with a friend. In this four-book, middle-grade series, Birch Lockhart has no idea she has fairy powers. But after her parents disappear, she and her two younger siblings must learn to survive on their own while they fight the evil seeping their town with the help of an inept, absent-minded fairy.

I’m also doing final edits on a middle-grade fantasy, The Crystal Amulet, about a girl abandoned in the woods because of an ancient prophecy. She becomes the leader of a ragtag band of misfits who uncover a plot to destroy their village, and she must choose whether or not to risk her life to warn the people who cast her out of her village that they are in danger.

And I have one more middle-grade in the works, Silent Lies, historical fiction set during the Jewish pogroms in the Ukraine in the early 1900s.

 

About Laurie:

USA Today bestselling author Laurie J. Edwards has always loved books. In school, she got in trouble for reading during class. When she grew up, she chose jobs that let her spend time with books. First, she became a librarian and then an author. Now she not only reads, but she also creates stories for others to read. Laurie is also a freelance editor and illustrator. In addition to having more than 2300 magazine and educational articles published, she is the author of 60+ books for children and adults in print or forthcoming under several pen names. Visit Laurie at her website for more information.

 

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Middle-Grade Fantasy story featuring strong South Asian Characters: Interview and Giveaway with Payal Doshi

 

Today, we are delighted to have with us, Payal Doshi, author of Rea And The Blood Of The Nectar (Mango & Marigold Press, 2021) with us.

Welcome to Mixed-Up Files, Payal!     

Thank you so much for having me!

Tell us about Rea and the Blood of the Nectar. What was your inspiration for the story?                                                                                                                                                     

           Rea and the Blood of the Nectar is the story aboutRea Chettri, an introverted but curious girl from Darjeeling, India, whose life gets turned on its head on the night of her twelfth birthday. After a fight with her twin brother Rohan, Rea discovers that he has gone missing. Her Amma is distraught and blames Rea for his disappearance. So, Rea along with her neighbor Leela visit the village fortune-teller whose powers of divination set them off on a thrilling quest to find Rohan where they must solve riddles to portal into an enchanted realm and travel to Astranthia, a land full of magic and whimsy! There, Rea must battle evil creatures, confront a ruthless villain, and find out why Rohan has been captured. But the heart of this adventure story lies in Rea’s relationships with the people in her life. Her brother who she was once inseparable from is now the popular kid in school and spends most of his time with his friends. Rea, on the other hand, has always struggled socially, but in her mission to find Rohan she must learn to trust others, find the courage within her, and understand the meaning of friendship and family.

I was inspired to write this story because as a kid, I loved to read but I never saw myself in books. A girl like me never got to be the hero, have magic, or save a realm. I wanted to change that. So, I decided to write a fantasy story rooted in Indian culture that had kids from India who went off on thrilling adventures and became heroes! It’s a story I would have loved to read as a kid and one in which I saw myself. This book has all the elements I loved reading about as a kid—there’s a mystery that needs solving along with an exciting quest, a ticking clock, dark family secrets, unforgettable friendships, a fantastical world, and my favorite, magic!

Could you share your publishing journey with us?

My road to publication was long and winding! I began querying in November 2018. At first, it was great. Most of my queries turned into full manuscript requests. But by mid-December, the rejections started to come in. One of the criticisms I kept hearing was that my book was too long for middle grade. Typically, the word count for middle grade novels is between 50,000-70,000 words while mine was 91,000. I was heartbroken. I had a choice to make: continue querying or pull my book out, edit it down by 20,000 words, and then give it another shot. If I chose to edit the book, I would have to significantly rewrite parts of it since I had to remove one of three POVs. Adding to the daunting prospect of a massive revision, I was pregnant!

         As hard as it seemed, I knew it was the right thing to do. During the last two months of my pregnancy, I cut down 23,000 words and rewrote large sections of the book. Once my baby arrived, I sent the manuscript back to my beta readers to see if the new revisions maintained plot, pace, and character growth. After I emerged from that newborn haze of hormones, sleepless nights, and baby cuddles, I dove back into my beta readers’ feedback and by September 2019, I began querying again. Long story short, I signed with my publisher on January 2nd, 2020! My publishing journey ends with the ever-important lesson: No matter how hard it gets, don’t give up.

What was your research process when you set the story in the foothills of the Himalayas and when you created the fantastical world of Astranthia?

When I was thinking about where to set the ‘India’ part of the story, I knew right away that I wanted to portray a region of India that was beautiful and underrated with respect to its landscape and people. The city of Darjeeling is a stunning hill station in the northeast part of the country ensconced within hills, the view of the majestic Himalayas, and rolling tea plantations. There was just so much beauty to be inspired by in terms of its landscape and culture. Since I had never been Darjeeling, I relied on online research especially the official government website for Darjeeling to get details about which trees, birds and animals could be found as well as tourist accounts on blogs and reputed travel websites. I bought books on Darjeeling to get an idea of the local cuisine and day-to-day life, I peered over every aspect of Google Maps to understand the topography of the land and keep it authentic to the story. After double and triple checking the details from my research, I felt pretty confident that everything I had included about Darjeeling was factual. However, it turns out it wasn’t all accurate! I’m so glad I decided to visit Darjeeling before sending my manuscript to agents because I found several inaccuracies in my descriptions and details and it was only after seeing the city, talking to the locals, and driving around that I was able to correct the inaccuracies and record factual details. So, my top tip for any writer who is writing about a place they have not themselves visited is to visit that place before submitting their work for publication!
Simultaneously, as I was inventing the realm of Astranthia, I wanted to capture that same lushness that Darjeeling exuded. When researching Astranthia, I drew inspiration from nature, the changing seasons, online research from fantasy illustrations and Indian and Celtic mythology. I love reading books in which the world feels like a character in itself and I wanted both settings of Darjeeling as well as the fantastical land of Astranthia to feel immersive, verdant, and magical. I find that descriptions of plants, leaves, trees, flowers, and animal life add greatly to the atmosphere of a place and make the reader feel like they are right there with the characters.

About Rea’s family and sibling relationships …

It was important for me to show Rea coming from a small, nuclear, and broken family – it’s just her mother, her grandmother, her brother, and herself. Stereotypically, Indian families are known to be big, joint families and rarely do we hear about divorce or unconventional family units. I wanted to change because the reality is that there are all kinds of family units and structures in India and as we have begun to talk more openly about it, we are seeing that there are so many kids who come from family structures that are different from that ‘one big, happy family’ narrative. Similarly, I wanted to shake the stereotype of the Indian mother as one who is always selfless, always generous, always making you and your friends eat, and just being wonderful and gregarious. Rea’s Amma is not that at all! She is aloof, cold, and battling her own demons, which Rea does not know about or can fully understand yet. Her relationship with her mother is strained and Rea craves the love and attention from her which she does not get. With respect to Rea and Rohan’s relationship, I based a lot of it on mine and my sister’s dynamic! It amazes me how siblings can be so different from each other, and I loved exploring those opposite qualities in Rea and Rohan. Rea has her insecurities but is a fierce girl who is on the hunt for answers to questions that plague her while Rohan is extroverted and the popular kid in school. They get compared all the time (as so many of us have experienced with our siblings!), much to Rea’s disdain. And as they’re growing into their own people, Rea and Rohan who used to be close as children, are now going their separate ways. I wanted to capture that sibling dynamic of rivalry, jealousy, envy but also fierce love, loyalty, and pride for each other.

Why was it important for you to write Rea’s story?
It was important for me to write Rea’s story because I wanted South Asian kids see themselves as main characters in books and know that they are worthy of going on exciting and joyful adventures as well as being heroes.My first draft which I wrote nearly ten years ago, all 70,000 words of it, was written with white characters who lived in the English countryside. It was only when my writing teacher pointed out my lack of Indian characters did I realize how much the books I had read growing up had subconsciously trained my mind into thinking those were the only types of stories people wanted to read. I wouldn’t change the books I read as a kid, but I sure would have loved to read books with characters that looked like me. This is why representation is important. Underrepresented kids should see themselves in books, see themselves as complex characters, and should grow up knowing that their stories are equally important and wonderful. Similarly, I want kids from other cultures and countries to relate with my characters and see that despite their different backgrounds, they share the same hopes, dreams, and fears.

What are some things you hope children will takeaway from Rea’s story?
South Asian representation is incredibly important to me and it has been my mission and passion in writing this book. What I most hope for is that young readers from all backgrounds see my book as an exciting fantasy story (not one only meant for South Asian kids) filled with characters that can relate to and hopefully love reading about. I believe all kids should see themselves represented in books because each kid should know that they can be the heroes of their own stories. I want South Asian kids to feel seen when they read my book, feel joy and pride for their culture, and know that their stories deserve to be celebrated. At the same time, I wanted to write a story that all kids would enjoy regardless of color, race, nationality, and culture.

Payal Doshi has a Masters in Creative Writing (Fiction) from The New School, New York. Having lived in India, the UK, and US, Payal Doshi noticed a lack of Indian protagonists in global children’s fiction and one day wrote the opening paragraph to what would become her first children’s novel. When she isn’t writing or spending time with her family, you can find her nose deep in a book with a cup of coffee or daydreaming of fantasy realms to send her characters off into. She loves the smell of old, yellowed books. Rea and the Blood of the Nectar is the first book in The Chronicles of Astranthia series. She lives in Minneapolis, Minnesota. For more information, visit her website, www.payaldoshiauthor.com, or follow her on Instagram @payaldoshiauthor and on Twitter @payaldwrites.

Want to own your very own signed copy of Rea And The Blood Of Nectar? Enter our giveaway by leaving a comment below! 

You may earn extra entries by blogging/tweeting/facebooking the interview and letting us know. The winner will be announced here on July 16, 2021 and will be contacted via email and asked to provide a mailing address (US only) to receive a signed, personalized book.