For the record, I am a very brave man. This is not just because I floss before bedtime and sometimes intentionally consume leafy green vegetables. No, it’s much more than that. My bravery blossoms from a single, bold writerly act. Some would call it courageous. Others daring or even heroic.
I would call it quitting.
Yes, after writing the first page of a story, I stopped. Totally up and abandoned the manuscript. Then, with equal doses of valor and cold-blooded resolve, I started to . . .
[Cue gasps, groans, and eerie music.]
I am not an outliner. Every other story I’ve ever written has been a fly-by-the-seat-of-my-pants affair. At some point in the writing process I might skip ahead and write the ending to help guide the middle of my story, but planning each scene from the get-go? . . . Are you kidding me?!?!?!
Here’s a list of six things that made me change my ways (at least this one time):
- My last 50,000-word story underwent a ton of drafts, a couple with super-major plot revisions that required loads of rewriting as I uncovered new elements of my story on the fly. I liked the final results, but the process of getting there was painful. By creating a bare-bones outline for my newest story (a few sentences per chapter), I uncovered some surprises for myself before I had an entire plot to go back and overhaul.
- Revising a few sentences is easier than revamping a 50,000-word manuscript.
- I’m a slow writer. I’m an even slower reviser. Less time revising = more time writing.
- For a plot to push forward, I know every scene needs conflict and/or suspense to keep the reader engaged. By outlining, I ensured that each chapter was built around some form of tension, which provides the fuel for my story’s problem to keep chugging along on the road to the resolution.
- The outline also helped me look at the big picture of the story’s plot, making sure that the overall level of tension steadily increased scene-to-scene, pushing toward the resolution and climax.
- I figured outlining is like Brussels sprouts—it might not be that enjoyable at the time, but it’ll probably be good for me in the end.
My outlined story? It’s moving right along and feels way easier to write than anything I’ve ever written before. Will my plot change from my original outline as I progress? Undoubtedly. But it’s sure been nice to have a basic roadmap for the writing journey ahead.
Want a bit more perspective? MUFs own Linda Johns presented “The Case for Outlining” a few months back. Or do you have your own outlining versus seat-of-the-pants-writing viewpoint to share? Post your comments below.
Along with his MUF posts, T. P. Jagger can be found at www.tpjagger.com, where he provides brief how-to writing-tip videos as The 3-Minute Writing Teacher plus original readers’ theatre scripts for middle-grade teachers.